Pro-Life

CGB Review of Wonder Woman (2017)/Two-Year Anniversary of Catholic Girl Bloggin’! :D

~ amyemsal23 ~ Leave a comment

Two years ago today, Catholic Girl Bloggin’ was launched and boy, what a wild ride it has been!  I would like to thank my followers from WordPress and Facebook for all the support.  I don’t know where I’d be without you guys and gals.

Let us celebrate with a review of Wonder Woman!

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Diana is (quite literally) the only child on an island of Amazonian women.  She grows up to be a skilled fighter, ready to defend her island against Ares, the god of war, a.k.a. this story’s version of Lucifer.  Then one day, a World War I plane pierces the force shield that keeps her island invisible to Ares.  Inside the plane is Captain Kirk–I mean–Steve Trevor (Chris Pine).  Like Ariel in The Little Mermaid, Diana jumps into the sea, saves Prince Eric–sorry, I mean–Steve and carries him to shore.   No, she doesn’t sing to him, but she does ask him who he is.  With the lasso of truth, the Amazonian women get Steve to reveal that he is an American spy who has discovered a terrible plot from the Germans to use chemical warfare to claim victory in this war.  Moved by his testimony, Diana sees an opportunity to enter our world, join the effort in World War I and defeat Ares, the one responsible for pitting men against each other.

The Hits
Gal Gadot is a fantastic Wonder Woman!  Ever an idealist, her black-and-white view of the world is grounded in her compassion for others and her belief in humanity’s potential for goodness.  This makes her naiveté seem less childish, coming from a place of empathy, not ignorance.  I like how she’s not totally clueless when she first steps onto the shores of WWI-era London, but she doesn’t completely get the hang of modern-day living in one fell swoop.   Her fish-out-of-water innocence is believable and her strength is unquestionable.  What really makes her shine is her compassion for others.  Her view on humanity’s goodness is a tad romantic, but it is also similar to Catholic theology of humans being born inherently good.  Her desire to save humans never comes off as condescending, as in, “Oh, these poor weak humans are so helpless and I’m the only one who can protect them.”  Rather she sees very clearly the threat of Ares and recognizes that humans don’t know what she knows about him, so the sooner she can find and kill him, the safer humans will be.
Chris Pine really shines as Steve Trevor.  Granted, Steve’s character on paper is pretty typical (good dude who finds himself in a situation he didn’t ask for), but Chris Pine makes him so likable.  Charming but never arrogant, he treats Diana as an equal.  He is protective of her without patronizing her.  Their relationship is not based on obligation just because she saved his life.  Because she helps him get off Themyscira (her Amazonian island) and he agrees to take her to the war, there was a potential danger of their relationship becoming one where they inadvertently use each other, but fortunately the script focuses more on the fish-out-of-water aspect, so they have a legitimate reason to stay together before they fall in love.
I really gotta applaud the film for NOT saturating the Amazonian women with makeup.  We are allowed to see their wrinkles and crow’s feet, which makes sense because these women are always out in the sun, training and caring for their island.
Without giving too much away, one of the strongest aspects of the script is that it is respectful to both Diana’s otherworldly beliefs and Steve’s reality.  There’s never a scene where Steve spats out, “It’s all make-believe!  Ares, Zeus, clay babies, none of it is real!”  While she does become discouraged when things don’t turn out the way she had hoped, Diana doesn’t throw in the towel with a jaded attitude.  Diana and Steve are very tactful when handling each other’s thought process, adding to their very equal relationship.  We know that Steve really does find her world hard to believe, but he has seen enough and experienced enough to know that Diana is who she is and he respects that.  As for her, Diana grows in maturity and forms a more well-rounded view of the world while holding on to her convictions.

The Misses
The movie uses slow-motion a little too much.  I’m not saying it doesn’t look cool when it is used, but it does get repetitive after a while.
Okay, so the island of Themyscira (try saying that ten times fast) is hidden by an invisible force shield that Ares, an immortal god of war, cannot find…and YET Steve’s plane pierces right through it with no issue.  In addition, the very-mortal Germans pass through the veil effortlessly.  Granted, this doesn’t ruin the movie for me at all, but it’s about as laughable as how [SPOILER for the movie “Arrival”] the climax of Arrival is solved by a phone call.  I get it, you need an inciting incident to get the plot going, but it’s still kind of funny to me.
As much as Ares is built up in this film, Ares himself is pretty generic.  Yeah, he’s basically the DCEU’s version of Lucifer, but he’s still a “gotta destroy this world and replace it with a better one because humanity sucks” kind of guy.

Praise Jesus (and director Patty Jenkins) for FINALLY giving us a solid DCEU (DC Extended Universe) movie!  Despite a few clichés and generic plot points, the greatest strength of both the titular character and the movie is its heart.  Wonder Woman is a much-needed home run for the DCEU thanks to a strong and compassionate heroine, a romance with tons of chemistry and a balanced approach to its ideas.

Side Note: I really think that Wonder Woman is going to be the best part of Justice League.  I’m callin’ it right here, right now.

Most Gracious Virgin Mary, pray for us.

CGB Review of Nocturnal Animals (2016)

~ amyemsal23 ~ Leave a comment

Between this and Arrival, I can’t help but wonder if an Amy Adams cinematic universe is in the works.  Hmm…

This is my review of Nocturnal Animals!

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All right, so this movie is a little difficult to summarize in a few words or less without spoilers, so bear with me and this ridiculously-long summation.
Art gallery owner Susan Morrow (Amy Adams) has it all: Wealth, a luxury home, a dashing husband (played by Armie Hammer), and a successful business.  Her life is basically the prosperity gospel on steroids.  So how does she start and end every day of her perfect life?
By hitting the scotch.
Her business is declining, her Prince Charming is cheating on her and she finds herself in the void of unhappiness and discontent.  Her sorrowful world is shaken when she receives a package one day.  Inside this package is a manuscript titled “Nocturnal Animals” written by her ex-husband Edward Sheffield (Jake Gyllenhaal).
The novel tells the story of Tony Hastings, his wife Laura and their daughter India.  On their road trip to West Texas, they are ambushed by three hooligans: Ray Marcus, Lou and Turk.  The three men kidnap Laura and India, then proceed to brutally rape and murder them.  From there, Tony seeks justice and vengeance with the help of a local cop Bobby (Michael Shannon).
As Susan reads this gut-wrenching thriller written by the man she once loved, she finds herself beginning to question her life choices that led to her currently melancholy existence.

The Hits
The writing is quite spectacular.  Director Tom Ford brilliantly blends the two narratives together into one, keeping them from ever overtaking one another or feeling crammed.  If you’re a fan of Alfred Hitchcock, then you might really enjoy this movie because it carries the sleek, neo-noir look, tone and feel of a Hitchcockian film.  As a fan of character studies, I absolutely admire that this film is an unnerving character study of Susan as she rediscovers her feelings (I’m not going to say “her love” because, based on how she is written, it seems that this character is incapable of truly loving someone or at least doing so for a sustained period of time) for her ex-husband through reading his manuscript and now must live with her regrettable decision to leave him “in a very brutal way” as she puts it.
The standout performances by far are Jake Gyllenhaal, Michael Shannon and Aaron Taylor-Johnson.  Gyllenhaal delivers a heartbreaking performance as Tony Hastings.  He’s technically playing two characters: Edward Sheffield and Tony Hastings.  Though we only see Edward a few times in Susan’s flashbacks, Gyllenhaal is convincing as both a vulnerable man and a self-motivated one, he’s basically a Hufflepuff; think a dark-haired Newt Schmander from Fantastic Beasts.  Gyllenhaal conveys Tony’s pain and suffering without overdoing it, blending the right amount of strength and inner collapse.  Michael Shannon is having the time of his life as the cop Bobby/Tony’s conscience personified (Director Tom Ford himself has said so) and Aaron Taylor-Johnson, the bland actor from that god-awful 2014 Godzilla film, ACTUALLY GIVES A PERFORMANCE–and a good one at that!   Taylor-Johnson’s Ray Marcus is slimy and vicious; the devil incarnate with a sly smile and raggedy hair.
Also, I should point this out: Edward’s novel Nocturnal Animals (the one Susan reads in the movie) is a book that I would definitely read.   That story itself is like Gone-Girl-times-twelve minus the sociopathic wife.  I could definitely see it being a bestseller here in the real world.

The Misses
So Amy Adams…okay, I praised her performance to high Heaven in my Arrival review and I even liked her role as Sydney Prosser in American Hustle, but I was quite disappointed in her performance here.  She’s certainly not bad, she just doesn’t have much to do here.  Susan Morrow is what I call a “novel character,” in which her character would work much better in a first-person novel than on film.  Because we don’t get to hear her inner monologue, all we get is her looking sad–A LOT.  Sorry, guys, but lying awake in bed with a sad expression is not character development.  Now in all fairness, she didn’t do a bad job looking lonesome and depressed, it’s just that in contrast to Gyllenhaal’s explosive performance, hers is somewhat anemic.
Now this is a well-crafted, brilliantly written film, BUT….the re-watch value is lacking.  This is definitely one of those films where, if you’re a film teacher, it’s a great movie to show to your students and have them write a paper on, but in terms of watching it again for entertainment, this movie doesn’t have that quality.

You’re probably wondering, “So CGB, which is your favorite: Arrival or Nocturnal Animals?” If you were thinking that, then–omgosh I’m a mind reader!–just kidding, but in all seriousness, I prefer Arrival over Nocturnal Animals because Arrival rocked my world and actually made me think.  Meanwhile Nocturnal Animals just made me depressed.

That being said, Nocturnal Animals is an impressive second film from Director Tom Ford (his first being 2009’s “A Single Man” with Colin Firth and Julianne Moore”).  A multi-layered film complimented by strong performances and Hitchcockian influences makes this a movie worth analyzing and drawing inspiration from.  If you’re looking for a slick revenge story and character story, then Nocturnal Animals might be just what you’re looking for.

Saint Zelie Martin, pray for us.

CGB Bonus!
If you’ve seen Nocturnal Animals already, then be sure to check out this analysis!

CGB Review of Hacksaw Ridge (2016)

~ amyemsal23 ~ Leave a comment

“Everyone has a conscience and must follow it.”
–Saint Mother Teresa of Calcutta

This is my review of Hacksaw Ridge!

hacksaw_ridge_andrew_garfield

Hacksaw Ridge tells the true story of my new favorite American hero, Desmond Doss, a medic during World War II who, influenced by his Seventh-Day Adventist beliefs, refused to use and even touch a gun, instead choosing to save as many wounded soldiers as he could.  He would later go on to become the first Conscientious Objector to be awarded the Medal of Honor.

The Hits
Andrew Garfield–wow, man–I have grossly underestimated you.  With a thoughtful performance, Garfield portrays Desmond Doss as, essentially, a real-life Captain America; brave but vulnerable, noble and flawed, and grounded in his convictions.  I’d also like to add that this is a balanced portrayal of a Christian character.  Often times, a mistake that is typically made in Pure Flix films (both the God’s Not Dead flicks and, to an extent, Do You Believe?) is a Christian character is all good simply because they wear the Christian label.  Hacksaw Ridge allows Desmond to be a three-dimensional human being who is a pacifist and a devout Christian.  I really appreciate that this movie doesn’t have him convert anybody because let’s be honest: That’s just not how life works, especially in our cynical, secular society.  Desmond doesn’t convert anyone to his way of thinking, but he does rightfully earn the respect and admiration of his peers simply for staying true to who he is.
Also, kudos to Vince Vaughn and Sam Worthington, both of whom actually deliver pretty darn good performances, especially Vaughn, who I’ve only seen in crummy comedies.  Hugo Weaving does a great job too, but then again, of course he would.  I have yet to see a subpar performance from him.
This movie handles subtlety masterfully.  Elements of Desmond’s past are revealed through quick but well-placed flashbacks that are intercut with present day.  There is one particular flashback that explains his no-guns philosophy, but it’s not shoved down your throat; it only shows up three times and it makes everything come full circle once Desmond himself explains it to another character.
In an election year where many people had to wrestle with their conscience at the voting booth, Desmond Doss is living proof that you can obey your conscience and remain loyal to it through thick and thin.  Is it incredibly difficult to do so?  Absolutely.  Is it impossible?  No.  Desmond Doss is a witness to standing your ground and not being shaken when the storm comes.

The Misses
Okay, there’s one elephant in the room that needs to be addressed: There’s a scene in the climax where Desmond actually KICKS a grenade away from a fellow soldier.  Yeah…that’s stretching it a bit thin, don’t you think?  Look, I already know he’s a hero; you don’t need to have him roundhouse-kick a grenade to further prove that.
Admittedly, parts of the story are cliché.  There is a “rogue little guy versus big bad establishment” undertone of the film, but that’s to be expected given the nature of the story.  They try to make a villain out of Luke Bracey’s character Smitty Riker, but from his very first scene you already know what his character arch is going to be; he doesn’t like Desmond, then he really doesn’t like Desmond.  Desmond saves Smitty, Smitty is (emotionally) disarmed and the two become friends.  That’s not a spoiler, by the way; it’s just really predictable.

Guys and gals, I really hope that Hacksaw Ridge gets nominated for something, anything, because this is a powerful movie.  This is one of the few movies where I found myself admiring the main character.  What we have is the portrait of a hero who focused his energy on saving lives, even if it meant getting Hell from his superiors for his stance.  With a respectful performance from Andrew Garfield, excellent direction from Mel Gibson and an emphasis on standing your ground even if it means standing alone, Hacksaw Ridge shows us what a hero looks like.

Saint Martin of Tours, pray for us.

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Rest in Peace and thank you for your service, Desmond Doss (1919-2006)

CGB Review of Storks (2016)

~ amyemsal23 ~ Leave a comment

So apparently, when a mom and dad love each other very much, they…
…write a letter to the stork company and that letter is put into a literal baby-making machine and viola!  A little bambino is made!

I’d better re-read my embryology book.

This is my review of Storks!

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Long ago, Storks used to deliver babies, but after an incident involving one stork who got too attatched to the kid he was supposed to deliver, Storks now deliver mail, phones and what have you.   Junior is the top salesman–er, I mean–salesbird, I guess, who is about to be promoted as the boss.  His first order of business would be to fire Tulip, the young woman who happens to have been the baby whose stork wanted to keep her, resulting in the end of the Stork baby-delivery gig.  Things go awry when Junior and Tulip come across a pink-haired baby (perhaps this is the origin story of my good friend and fellow blogger Pink-Haired Papist; check out her FB page here https://www.facebook.com/Pink-Haired-Papist-1378637942456144/?fref=ts) and must get her to her family before the higher-ups find out and destroy Junior’s chances of becoming boss.

The Hits
So the same guys who gave us the excellent LEGO Movie (yes, I will be reviewing that at some point in the near future) are behind this flick and it shows.  Just like LEGO Movie, Storks is bizarre and unpredictable in all the right ways!   The bright color palatte matches the bouncy fast pace, while the self-awareness of its ridiculous premise keeps the film from taking itself too seriously and allows the wonky humor to flow seamlessly.
Junior is your typical self-centered-jerk-with-a-soft-spot-character, but the way he is written, his self-centeredness never negatively impacts anyone.  Even when he is told to fire Tulip in order to become boss, he resists doing so out of sympathy for her.  His dialogue makes him sound like a jerk, but his actions speak of his good nature, which makes him easy to root for.  Speaking of Tulip, her character is also somewhat by-the-numbers (a dense and quirky outcast with a heart of gold), but like Derek Zoolander in the first Zoolander film, her character is made believable by having her being good at mechanics and thinking on her feet.  She kind of reminds me of Marty McFly; a singular-minded youth who is able to live in the present moment.  Much like Judy Hopps and Nick Wilde, the friendship that forms between Junior and Tulip is fun to watch.  It’s a rocky relationship for sure, but by the end, there is a genuine sense that they care for one another and the baby they are trying to “deliver.”  Oh, and in case you were wondering, yes; the pink-haired baby is ADORABLE!  🙂
The subplot of the film involves a young boy named Nate whose parents are always busy calling clients and selling homes.  I really like the film’s subtle commentary on how our overreliance on technology has made a negative impact on family bonding.  It can be a tad on-the-nose, but for the most part, the subplot is handled nicely and the character arch that Nate and his parents go through is charming to watch.

The Misses
This movie does not transition from scene to scene very well.  There are very few establishing shots, so I found myself utterly confused when we would go from watching Junior, Tulip and the baby in a field to suddenly seeing Nate hammering a nail into some planks.  Granted, it’s better than in Batman v. Superman, a movie that didn’t even bother to have a single establishing shot throughout its two-and-a-half-hour run time, but still, smoother transitions from scene to scene would have helped.
Much like the LEGO Movie, the final climactic battle is visually-stunning…to the point where there was so much going on that I had to close my eyes a couple of times.  Yeah, it’s kind of hard to follow a bunch of birds and a gigantic, heavily-designed machine used by the villain all at the same time.

Overall Storks is a witty, fun adventure that would be rewarding for both kids and adults. The tongue-in-cheek humor brings about many laughs, the rapport between Junior, Tulip and the baby is sweet to watch evolve and the bright animation allows the bouncy movement to flow effortlessly.  Despite a few hiccups, Storks is delightfully strange in all the right ways.

Saint Joseph of Cupertino, pray for us.

Patroness of the Big Picture

~ amyemsal23 ~ Leave a comment

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If you follow the CGB Facebook page, you will notice that the cover photo is of now-Saint Teresa of Calcutta.  You may have also noticed the plethora of Mother Teresa posts on the page in the days leading up to her canonization.  I don’t normally buy magazines, but while I was at Walgreens I came across a Time Magazine special edition dedicated to Mother Teresa.

Yes, I really love Mother Teresa.  What’s not to love?  Her compassion for the poor and forgotten went above and beyond, her simplicity is a breath of fresh air that our materialistic society could benefit from, and she held firm to her faith in God in spite of suffering decades of spiritual darkness.
I do love her for all these reasons, but none of them are the #1 reason I look up to her.
The main reason why Mother Teresa inspires me is because she saw the big picture of God’s plan.

Mother Teresa did not help people with the intent of converting them to Christianity.  She never once said, “I will help you only if you become a Christian.”  Unfortunately, her lack of pushing conversions to Christianity is one of the criticisms launched at her.
Truth be told, Mother Teresa did seek conversions, but in a different way.

“Yes, I convert.  I convert you to be a better Hindu, or a better Muslim, or a better Protestant, or a better Catholic, or a better Parsee, or a better Sikh, or a better Buddhist.  And after you have found God, it is for you to do what God wants you to do.”
–Saint Teresa of Calcutta

Reading this quote makes me think of a particular theological principle in the Catholic Church known as “Baptism by Desire.”
Paragraph 1260 of the Catechism explains Baptism by Desire this way: “Since Christ died for all, and since all men are in fact called to one and the same destiny, which is divine, we must hold that the Holy Spirit offers to all the possibility of being made partakers, in a way known to God, of the Paschal mystery.  Every man who is ignorant of the Gospel of Christ and of his Church, but seeks the truth and does the will of God in accordance with his understanding of it, can be saved. It may be supposed that such persons would have desired Baptism explicitly if they had known its necessity.”

Applying the passage above, let’s say you have a Buddhist monk who perhaps has heard of Jesus, but through no fault of his own, doesn’t know Jesus in the same way that a Christian does.  Our Buddhist monk friend does not know Jesus, but his life exemplifies Christ through loving kindness, acts of charity towards the poor and suffering, a deep commitment to protecting creation, and other noble attributes.  Perhaps at some point the Buddhist monk finds himself pondering the existence of a creator and spends his life searching for truth.  While our Buddhist monk friend does not profess belief in Jesus explicitly, he does feel the call of God in his heart and is responding to it in the best way he knows how.

Mother Teresa saw this principle very clearly.  She recognized that God’s ultimate plan went beyond the confines of religious labels.  This is why she sought to convert people into better human beings, and she did so by being a living example of the Gospel herself.  Every step she took, every decision she made, every word she spoke gave glory to God.  She saw that any time a person seeks to help others, to improve themselves and to serve humanity in their own little way, they are serving God whether they realize it or not.  She was willing to be a vessel used by God to make an impact in the slums of Calcutta.

In a way, Mother Teresa was a visionary.  She saw with the eyes of her heart and soul that a great number of people who are willing to serve one another can create a society that serves.  A society that serves is a society of God.

“I’ve always said that we should help a Hindu become a better Hindu, a Muslim become a better Muslim, a Catholic become a better Catholic.”
–Saint Teresa of Calcutta

CGB Review of Miracles from Heaven

~ amyemsal23 ~ Leave a comment

Now I’m not a doctor, but I don’t recommend climbing on trees to receive a miraculous healing.
If you’ve seen this movie’s trailer, you’ll know what I’m talking about.

This is my review of Miracles from Heaven!

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Christy Beam (Jennifer Garner) lives a nice life in Burleson, Texas with her husband Kevin and three daughters, Abbie, Anna and Adelynn (someone really likes the letter “A”). Things are fine and suburban until Anna starts experiencing serious stomach issues, which keeps getting misdiagnosed as acid reflex or lactose intolerance.  As poor Anna’s stomach swells, it is soon discovered that she has what is called Intestinal Pseudoobstruction; it basically means that she can’t digest food and is quite literally starving to death. Against all odds, the determined Christy will stop at nothing to get the proper treatment Anna needs.

The Hits
The people in this movie ACTUALLY act like real people!   You know how in a lot of Christian films like God’s Not Dead 1 & 2 or Christian Mingle the Movie, where you have the jerk atheist characters and the pure-as-pearls Christian characters?  With the exception of one stubborn intern who tries to brush off Christy’s concerns, all of the characters feel like real human beings in a real-life situation.  Nobody goes on expository spiels or launches into Biblical quotation mode; all of the dialogue and interaction are grounded in reality.  Jennifer Garner brings to the film a fierce and genuine performance as Christy.  This is an ordinary woman thrust into the nightmare of not knowing what is making her beloved daughter suffer greatly.  There’s one scene in particular where she’s tearfully describing Anna’s condition to the front-desk secretary at the children’s hospital and Garner’s quivering voice convey the depths of her broken heart.
Jennifer Garner and Kylie Rogers have believable chemistry as mother and daughter.  Not only do they (somewhat) resemble each other, but they play off of one another very well.
Speaking of which, Anna actually acts like a real kid!   Yeah, unfortunately, Hollywood screenwriters have forgotten how to write child characters.  Often times they either write them as mindlessly innocent or painfully obnoxious.  Between this film and The BFG, I’m finding more reasons to have hope in Hollywood’s ability to write children as people, not as caricatures.  Also, kudos to this film for tackling depression in children with so much tact.  There’s one scene where Anna confronts her mother with the very real possibility of her own impending end and it is heartwrenching to watch.
I appreciate how God’s involvement in the characters’ lives is kept in the background, because essentially that is how God Himself operates; behind the scenes in the silence.  By hinting at His handiwork instead of spelling it out, it reinforces that God is a gentleman, not a show-off.  He works not with roaring voices and clamor, but through gentle whispers, calm inspirations and quiet subtlety.  If you’ve ever wondered how the old adage, “The Lord works in mysterious ways” plays out in real life, I think this movie is a good demonstration of the adage.

The Misses
Like the Theory of Everything, this movie can be very hard to watch, primarily the hospital scenes.  One scene shows the doctors sticking a tube in Anna’s nose and her resistant whimpering had me bawling like a baby.  There are quite a few hospital scenes that are so realistic that it can be tough to stomach.  This is one of those movies where if you have or are currently caring for an ill relative, in particular a child, this might hit too close to home for you.  Granted, you may have a different experience watching this movie than I did, but

The Christian film genre could definitely benefit from more films like Miracles from Heaven.   Once Christian filmmakers focus less on bashing atheists and more on showing God’s subtle workings in the modern world, the genre will have better days ahead. Miracles from Heaven treats its characters with humanity, has a stellar and determined performance from Jennifer Garner, and illustrates that God’s miraculous doings come not as lighting or spectacle, but in the form of kindness from strangers and the bond of family during the darkest of times.

Saint Anne, pray for us.

CGB Review of The Letters (2014)

~ amyemsal23 ~ Leave a comment

“I’m a little pencil in the hand of a writing God.”
–Saint Teresa of Calcutta

This is my review of The Letters!

The Letters movie

After receiving her “call within a call” on a train to Darjeeling, Sister Teresa of the Loreto convent begins her mission to serve the poorest of the poor in the slums of Calcutta.  As her movement expands, students from the school where she was the principal join her in her work and eventually the Missionaries of Charity is born.  The world would soon come to know this little nun dressed in a white and blue sari as Mother Teresa.  In the midst of her accomplishments, Mother Teresa suffered six decades of spiritual desolation and the idea that God had abandoned her haunted her.  Despite the spiritual darkness, she continued to serve the One she loved.
I have loved Mother Teresa for as long as I can remember.  Actually, the next CGB editorial will be about Mother Teresa, as was my last editorial “Frightening Hour, Glorious Day.”  I wanted to see this movie on my 24th birthday, but unfortunately, it wasn’t playing in either of my local movie theaters.  So imagine my suprise when I was told that this movie was on Netflix. 🙂

The Hits
Juliet Stevenson–good Lord–she NAILS it as Mother Teresa.  She looks like Mother Teresa, her accent is pitch perfect, she gets the posture right; I truly felt like I was watching Mother Teresa herself.  Juliet Stevenson’s portrayal of Mother Teresa is very respectful, bringing both a tenderness and an iron will to the character.  Stevenson also brings a charisma to Mother Teresa, which explains how the character is able to draw so many people to her cause.  Also kudos to the filmmakers for emphasizing on Mama T’s humility by showing her tell a reporter who wants to interview her,  “I am but a pencil in the hand of God,” and then later,”If you want to write a story, look outside; the poor are everywhere!”  Classic Mother Teresa.  ^_^
I really appreciate an earlier scene where then-Sister Teresa, who starts off teaching at a convent school for privileged girls, sees a hungry family outside her window and brings a basket of fruits and vegetables to them.  This establishes her giving nature and heart for those in need, so when she is called by Jesus to leave the convent and go to the Calcutta slums, her quick acceptance of the “call within the call” is in-character and believable. From then on, this trait continues to be demonstrated via scenes of her teaching village children the alphabet and assisting in the delivery of a newborn whose parents opposed her missionary work.
During Mother Teresa’s ministry, India had just gained its independence.  The impact of this cultural change is mostly kept in the background, but is felt with hostile encounters with some of the locals and, in that scene I mentioned where Mama T gives food to the hungry family, a Hindu man tells her that a Catholic nun shouldn’t be roaming outside where she could get killed by protestors.  Speaking of which, one interesting thing I noticed is how the movie portrays the patriarchal culture of Calcutta.  In the few scenes where Mother Teresa must deal with suspicious villagers, she cannot get a word in until a man comes to her defense.  This is especially apparent when The Home for the Dying is attacked by Hindu protestors and all Mother Teresa and two other nun characters can do is stand there until three men intervene.  It shows that in their culture, women are silenced in the presence of men. The movie doesn’t try to make a feminist statement with this, but rather lets it be so that we, the audience, can come to that conclusion for ourselves. The Letters focuses its efforts on being a commendable character study of the small nun who would rock the boat of our materialistic society with her acts of compassion and humility.

The Misses
I advise against watching this movie on your tablet unless you have earplugs.  The dialogue can be hard to hear at times, to the point where turning the volume up more than once is recommended.
The movie is on a roll up until the third act.  After Mama T establishes the Missionaries of Charity, the film seems to just fast-forward to her Noble Peace Prize speech, which…well, they kind of botch.   It’s too short and all of her words about abortion (which are the best parts of her Nobel Peace Prize speech, by the way) are cut out entirely.
Regarding the spiritual darkness, I don’t think the movie conveys this very well.  I totally understand that Mother Teresa herself never spoke of it except in her letters to her spiritual director Father Celeste van Exem, but one scene of her just saying quietly, “Where are You, my Jesus?” or something like that would’ve solved this problem right away.  Unfortunately her dark night of the soul is only spoken of by other characters and not shown to us.  I’m sorry, guys, but shots of her walking silently by herself with a weary expression on her face isn’t gonna cut it.

The Letters serves as a good introduction to Mother Teresa and her missionary spirit. Despite some questionable story choices in the third act, Juliet Stevenson’s dedicated performance alone is a wonderful homage to the “saint of the darkness” and makes up for the film’s few hiccups.  In terms of being a cinematic in-memorium of a triumphant life, The Letters is definitely worth the watch.

Saint Teresa of Calcutta, pray for us.

CGB Mega-Collaboration Review of Suicide Squad (2016) featuring MsOWrites, Rosalie Contrite, Catholic N00b and Surrender the Brownies

~ amyemsal23 ~ Leave a comment

You know, for a team called the “Suicide Squad”, only one person in the squad actually kicks the bucket.

This is my review of–

AMANDA WALLER: Hello, Catholic Girl Bloggin’.
ME: (looks up) What the?  How did you get in my house?!
AMANDA WALLER: Flag, get the chloroform.
ME: Hey, why is Rick Flag soaking a cloth with chloroform in my kitchen?  (Sees RICK FLAG approaching) Before I go under, this is my review of Suicide Squad!

(Cuts to black)

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Based on the fictional organization known as Task Force X in DC Comics, Suicide Squad is  basically what happens when Viola Davis–er, I mean–Amanda Waller decides it would be a good idea to assemble a taskforce of DC comic book baddies should another Superman ever walk the planet again.  Things go horribly awry when a squad member named Dr. June Moore, aka Enchantress goes off the rails and uses her dark magic brouhaha to ruin the city.  Now it’s up to Deadshot, Harley Quinn, Rick Flag, Captain Boomerang, El Diablo and Katana to save the world from being enslaved by Enchantress all while the threat of the Joker looms large.

(Wakes up in the back of a truck) W-where am I?
MsOWrites: Catholic Girl Bloggin’?
ME: Huh?  MsOWrites, is that you?  You’ve been kidnapped too?
MsOWrites: Yeah, they grabbed me while I was on vacation.  AND they took my new scapular, too!
ME: Those jerks!  Kidnapping bloggers and taking scapulars!
(Enter ROSALIE CONTRITE)
ROSALIE CONTRITE: At least you weren’t snatched up while in the middle of a podcast.
ME: Is that why yesterday’s Contrite podcast ended so abruptly?
ROSALIE CONTRITE: Apparently my latest “interview” was a set-up.
(Enter SURRENDER THE BROWNIES)
SURRENDER THE BROWNIES: Better that than having your brownies spiked so that you’d end up unconscious.
(Enter CATHOLIC N00b)
CATHOLIC N00b: There are three things in life that I know to be true: There is a God, taxation is theft and Amanda Waller will kidnap you at some point in your life.
ME: It looks like Waller has her sights set on Catholic bloggers.
(The truck stops and the trailer opens up) (Enter AMANDA WALLER)
AMANDA WALLER: Good morning, ladies.  I see that you already know one another.  Let’s cut to the chase: I want to assemble a taskforce of Catholic bloggers to fight off supernatural entities.
ME: But what exactly would we do in the wake of such an event?
AMANDA WALLER: Oh, you wouldn’t do anything…but your Guardian Angels would.  If your Guardian Angel gave you, CGB, a katana in your BFG review, then imagine what he and the other Guardian Angels would do if I held you and your friends hostage.
ME: Wait, what?  You’re gonna try to get other people’s Angels to do your bidding.
MsOWrites: Your logic is not compatible with our Earth logic.
CATHOLIC N00b: That’s not how this works.  That’s not how any of this works!
ROSALIE CONTRITE: Oh, the early Church fathers would have a field day rebuking you, Ms. Waller.
SURRENDER THE BROWNIES: Somebody get Bishop Robert Barron over here ASAP!
ME: (Looks in the back of the truck) Hey, you guys do realize that our weapons are in the truck, right?
AMANDA WALLER: (Looks confused) Wait, those aren’t supposed to be there.  (Gets hit in the shoulder with ROSALIE CONTRITE’s arrow)
ME: (Grabs katana) Looks like our Angels are looking out for us!
(CATHOLIC N00b uses the Force to pull her lightsaber towards her, while MsOWrites whips out her crossbow and stake) 
ME: Hey, Surrender the Brownies, what’s your weapon?
SURRENDER THE BROWNIES: (Smiles as fire emanates in her hands) You’re about to find out why my brownies are the very best, like no one ever was!
ME: And now the Pokémon theme song is stuck in my head again.
SURRENDER THE BROWNIES: (Raises arms) I’m gonna need everyone out of the truck in 3…
ROSALIE CONTRITE: Everybody, move!
SURRENDER THE BROWNIES: …2…
(Everyone evacuates the truck)
SURRENDER THE BROWNIES: …1…(Incinerates the truck with her fire powers)
ME: (Looks around at the destruction of the truck, as well as any buildings in the area)
MsOWrites: CGB, look out!  (Pushes me out of the way of a falling Little Caesar’s sign)
ME: I didn’t know there was a Little Caesar’s nearby.  (Stand up and brushes off the dirt and soot from my clothes) Well, I’ll tell you all one thing: This was an impressive showcase of our super abilities, kind of like the new Suicide Squad movie…

The Hits
The film’s bombastically comedic tone works to its advantage.  It matches the unstable nature of the characters and the aimlessness of the narrative.
This movie is definitely what I call a “character showcase,” in that the script allows the charisma of the cast of villainous characters to shine.  In particular, Harley Quinn, Deadshot, Killer Croc, Katana and El Diablo look amazing!  The costume designs don’t look too silly, which make it easier for them to be taken seriously when said characters are on screen.
I feel that Harley Quinn was handled as well as she could have been.  She has her signature sadistic charm, but Margot Robbie doesn’t make her too over-the-top or childish.  The flashbacks of her time with the Joker give us an idea of why she is the way she is.  While I am very aware of the abusive nature of her relationship with the Joker in the comics, I thought that, for the time being, it made sense (at least for this first installment) for her to have glorified flashbacks of her time with him.  She seems to me to be someone who has not yet figured out who the Joker truly is, therefore she is subconsciously allowing herself to remember only “good” times with the Joker.  Going forward, I do hope that we get to see Harley’s eyes opened and for her to begin breaking away from the Joker’s hold on her, but for now, her mentally instability is well established via the flashbacks and her own behavior.
I was somewhat invested in the romance between Rick Flag and June Moore/Enchantress’ relationship.  While their scenes together are short, the performances of both actors involved capture the difficulty of their romance.  In fact, I wish they had their own movie.  How interesting would it have been to see the story of a man coping with his semi-possessed girlfriend?
I really like the rapport between Deadshot and Rick Flag.  There’s a reluctant brotherhood to their argumentative relationship that makes it enjoyable to watch.  Speaking of which, yes, Will Smith is as charismatic as always.  Granted, his “assassin with a heart of gold” trope is pretty overdone, but you know, I actually like that archetype; it has conversion-story potential to it.
Where the last DC film I endured–er, I mean–watched, which was Batman v. Superman, was dreary and convoluted, Suicide Squad is definitely a step up in terms of having fun with its premise and being actually entertaining instead of populating the screen with bruiting men.

SURRENDER THE BROWNIES: (Raises her arms) Come to me, my chickens!  Mwahahaha!  (An array of chickens teleport onto the scene)
CATHOLIC N00b: The Force is strong with this one.
ME:What, with her or her chickens?
CATHOLIC N00b: (Grins) Why not both?
MsOWrites: Hey, where did Amanda Waller go?
SURRENDER THE BROWNIES: Buttercup, come to me!  (A chicken named BUTTERCUP approaches SURRENDER THE BROWNIES) Find Amanda Waller!
BUTTERCUP: Bawk bawk bawk bawk bawk…(scurries away to find AMANDA WALLER)
ME: Hey, instead of going on a wild goose chase for one of the cast members from “The Help”, shouldn’t we just call the rest of the Avengers?
CATHOLIC N00b: You mean the Marvel superheroes?
ME: No, I mean the Pro-Life Avengers!  I’m talking about Pink-Haired Papist, Aimee Murphy, Albany Rose, Angel Armstead, Kelsey Hazzard, Stargift Tarakasha and, of course, Bryan Kemper!
SURRENDER THE BROWNIES: We’ll assemble with them during the next Planned Parenthood protest.
(Enter AMANDA WALLER)
AMANADA WALLER: (holds up BUTTERCUP the chicken by the legs) You guys thought I’d just run off without apprehending you, didn’t you?
SURRENDER THE BROWNIES: (Lights hands with fire powers) Release Buttercup now, Waller!
ROSALIE CONTRITE: I got this!  (Holds bow and arrow to AMANDA WALLER)
AMANDA WALLER: (sinister smirk) (clutches onto BUTTERCUP’s legs tighter) Go ahead, shoot the arrow and provide me with a nice chicken dinner.
ME: (raises katana) Ready your weapons, gal pals!
AMANDA WALLER: Oh, I’m not the only one you’ll be fighting…
ROSALIE CONTRITE: Shush!  Do you hear that?
(An eerie, maniacal laugh is heard from a distance)
ME: Uh oh, looks like Trump found us…
MsOWrites: No, no, it sounds more hoarse and chain-smokerish.
ME: Oh, so it’s Hilary whose after us!
(Enter THE JOKER, who pulls up in a white van with henchmen accompanying him)
JOKER: Well, well, well, if it isn’t the League of Catholic Bloggers.
MsOWrites: I didn’t know we were an established League.
ME: (Gasps) Oh my gosh! (Pause) I think I like Heath Ledger’s Joker better.
JOKER: (Eyes narrow in my direction) Oh, talking like that’s gonna get ya hurt, baby doll.  (Whips out semi-automatic) (The henchmen start surrounding us)
MsOWrites: CGB, look out!  (whips out stake and crossbow and shoots a henchman coming towards me) Strong like an AMAZON!  (spins around and slashes enemies with her stake)
CATHOLIC N00b: (Smiles as she lifts up her lightsaber) Time for my ultimate battle cry…(flips into the air) Taxation is THEFT! (Slices through henchmen as she lands)
ROSALIE CONTRITE: Hey, Surrender the Brownies…(raises bow and arrows)…think we can use some of that fire power of yours?
SURRENDER THE BROWNIES: (Grins) (Hands light up with flames) I thought you’d never ask.
(SURRENDER THE BROWNIES creates a shield of fire around herself and ROSALIE CONTRITE, who shoots flaming arrows at oncoming henchmen)
ME: (Holds up katana) When in doubt…(runs into henchmen)…Offer it up!  (takes down henchmen with jumps, kicks and the katana) Whoa, what the?!
JOKER: (Charges at me) I’d like to think that I was pretty good in Suicide Squad!
ME: You want me to lie to ya or tell ya what I really think?
JOKER: Surprise me, sweetheart.
ME: Well…

The Misses
It’s PAINFULLY obvious that many of the Joker’s scenes have been cut down and as a result, he is grossly underdeveloped.  I can tell that Jared Leto did more preparation for the Joker’s character than the screenwriters did.  The thing is that I understand why Harley loves the Joker, but I don’t understand why the Joker even bothers to keep her around.  The mistake made here is that the Joker puts a lot of effort into getting Harley back even though in previous incarnations of Joker and Harley, it’s clear that he doesn’t personally care for her, that he is only using her.  The few times that he does express a desire to get her back feel really forced and out-of-place because we know that the Joker’s true nature is relentless anarchy with no hints of sentimentalism.
Yes, this movie doesn’t have much of a plot.  It does try to attempt a plot by making Enchantress the main villain, but it doesn’t hold much weight because Enchantress herself is pretty much a standard villain.  She is a little intimidating at first, but once she brings back her CGI brother–Incubus, I think is his name, but he had next to no impact on the plot, so I don’t really care–and just stands in the devastated subway station, doing something with a blue beam in the sky, she becomes nothing more than a video game villain from that point on.
I really wish this movie had a main character.  While I always appreciate a multi-character showcase, I went into this movie hoping that either Harley or Deadshot would be the main protagonist whose perspective drives the story.  It is clear that this movie went through many last-minute creative changes.  Except for Harley, Deadshot, El Diablo and (to an extent) Rick Flag, the other Suicide Squad members feel half-baked and underdeveloped.
Going back to this movie not having much of a plot, this film really does play out like a long music video.  If this were a music video, it would be awesome, but alas, there’s a difference between cinematic motion pictures and MTV music videos (yeah, I grew up watching many of those).  The wonky pacing and overabundance of non-diagetic song choices prove my point about this picture being a glorified music video.

(CATHOLIC N00b uses Force lighting on surrounding henchmen.  MsOWrites finds herself in a one-on-one confrontation with AMANDA WALLER,  who wields a pistol.  SURRENDER THE BROWNIES and ROSALIE CONTRITE continue firing flaming arrows at henchmen)
ME: (sees MsOWrites fighting AMANDA WALLER)
JOKER: Hey, CGB, look me in the eye!  (charges at me with a semi-automatic)
ME: How can I?  Your eyes are so unsettling and just freaky-looking.  It lacks the subtley of Ledger’s Joker.
JOKER: If you like Ledger’s Joker so much, why don’t I just quote him?  (Sinister grin) Let’s put a smile on that face!
ME:  Nope!  (Jumps in the air) Angelic katana, activate!  (Blade of katana glows as I land back down and slice JOKER’s semi-automatic)  Catholic N00b, think you can use a Force-push?
CATHOLIC N00b: Oh yeah, girl!  (From afar, she Force-pushes the JOKER away from me)
(MsOWrites stabs AMANDA WALLER’s shoulder with her stake, but AMANDA WALLER  is about to shoot at MsOWrites) (I swing the katana and block the bullet with the katana)
MsOWrites: Thanks!  Is that how bullets work, though?
ME: Hey, my guardian angel gave me this katana.  I didn’t exactly ask him if it abides by the laws of physics.
(SURRENDER THE BROWNIES creates a fire circle around AMANDA WALLER while CATHOLIC N00b paralyzes her with the Force)
(ROSALIE CONTRITE points an arrow at AMANDA WALLER’s forehead while MsOWrites holds up her crossbow)
ME: (Faces AMANDA WALLER)  Hey, wasn’t this whole thing about you getting our Guardian Angels to do your twisted bidding?
AMANDA WALLER: That was the plan.
ME: Well, so far, all that has been accomplished are flashy action sequences, quips and a half-hearted Joker appearance.
AMANDA WALLER: Much like the Suicide Squad film, it was an attempt at a plot.
(Enter JOKER)
JOKER: See, this is what happens when so many of my scenes are either cut down sloppily or just chopped out altogether.  (Holds up a grenade)
AMANDA WALLER: (Clutches cell phone in hand) You have two options, ladies.  Either the Joker can blast you to bits with the grenade or I make one phone call to Lucifer himself and get him up here.
SURRENDER THE BROWNIES: What the fudge brownies?!
ME: No, no, you don’t wanna do that!
MsOWrites: (Holds up Miraculous Medal and Benedictine Cross) The heck you are!
CATHOLIC N00b: Triggered!
ROSALIE CONTRITE: You do know that all we would have to do to send Lucifer running is just say the Name of Jesus, right?
ME: Oh, yeah, that’s a good point.  Just say the Name of Jesus and the devil will be tripping over himself trying to get away.  Just ask Saint Gemma Galgani.
AMANDA WALLER: Can the Holy Name stop a grenade?
JOKER: BWAHAHAHAHAHAHA!!!!
(Enter THE SPARTAN)
THE SPARTAN: I know I can!  (As a flash of light, THE SPARTAN rushes past the JOKER)
JOKER: What the?  Where’s the gren– (CATHOLIC N00b springs in the air and slices JOKER’s hands off with her lightsaber while MsOWrites finishes him off with her crossbow from a distance)
SURRENDER THE BROWNIES: (uses her powers to close the fire circle in on AMANDA WALLER)  I prefer my villains medium-well.
ME: Has Charles Xavier contacted you yet?   You might to consider joining the X-Men.
SURRENDER THE BROWNIES: I don’t think he’ll be getting in touch with me after I kinda sort of burned down the school.
CATHOLIC N00b: The Force might be too strong with that one (points at SURRENDER THE BROWNIES)
MsOWrites: Who was that guy?  The one who took the JOKER’s grenade?
CATHOLIC N00b: He calls himself The Spartan.  That’s all I know.
ME: You know this how?
CATHOLIC N00b: I’ve encountered him before, while traveling to the Dagobah system to learn from Yoda.
MsOWrites: I think I’ve come across him while slaying vampires.
ROSALIE CONTRITE: So, CGB, what are your final thoughts on Suicide Squad?
SURRENDER THE BROWNIES: Compared to Batman v. Superman, which made you question your will to live, how does this DC film hold up.
ME: Well…

On one hand, Suicide Squad is miles better than BvS thanks to strong performances from Margot Robbie, Will Smith and the rest of the cast.  The rapport between the members of the Squad is fun to watch and has a whacky-dysfunctional-family feel to it.  On the other hand, the choppy pacing, clumsy editing and weak portrayal of the Joker doesn’t do this comic book adaptation any favors.  If you’re curious and/or are a fan of director David Ayers, then you’ll probably have a good time checking it out.  While I’m glad I saw it, I don’t think I’ll be seeing it again in the near future.

Saint Theodore Guerin, pray for us.

CGB Review of The Shallows (2016)

~ amyemsal23 ~ Leave a comment

So I happen to be a subscriber of YouTube’s Markiplier, who has repeatedly stated how much he hates the ocean.
After watching this flick, I now see why.

This is my review of The Shallows!

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To cope with the death of her mother, med student Nancy Adams takes a trip to a secluded beach to catch some waves, but when she is attacked by a shark and ends up stranded on a large rock, she must preserve in courage and strength in order to escape the shark and return to shore in one piece.

The Hits
Between this and Age of Adaline, it is clear that Blake Lively is more than capable of carrying a film on her own.  There is an everywoman quality to her that make her relatable, which hits home the idea that this scenario could happen to anyone.  Nancy’s resourceful nature and survival skills make her a worthy heroine to follow and give her plenty of agency.  Also, and this is to any fans of Saint Christopher, if you look closely, you’ll notice that Nancy is wearing a Saint Christopher medal.  🙂
The camera work is pretty good.  Not spectacular, but there are some beautiful shots of the ocean and the entire landscape.  Also, the swimming sequences and other scenes that call for Nancy to flee from the shark are nicely filmed to where you can actually make out what is happening.  I particularly like the seagull that hangs around with Nancy during her ordeal.  However, as an animal lover, I did find myself worrying about the seagull’s survival.  This Nostalgia Critic clip best demonstrates my feelings about the seagull: https://youtu.be/YOcDhyhZO5g?list=PLxMCAq3dOW6BTGLQCwH__KdU92O3Q5xDT
I really like that Nancy has a personal history with the island, how it is the same place where her late mother discovered she was pregnant with her [Nancy].  It gives the island a symbolic significance as the place she was conceived and the same place where her life could be brought to an end.

The Misses
While the movie does do an overall good job at suspension of disbelief, there are a few times where the main character makes one or two decisions that are hard to the audience to buy.
The scene where Nancy has to sterilize and patch up the deep wound in her leg is difficult to watch.  If you are squeamish, I recommend either getting a snack during the scene or just closing your eyes.
Okay, so there is an elephant in the room that must be addressed and this is kind of a SPOILER…
In the middle of the film, Nancy sees a drunk man on the shore and tries to enlist his help, but when he goes into the water to steal her surfboard, he is mauled by the shark, resulting in him being (quite literally) torn in half.  We get one close-up shot of his body and then it just cuts to black.  We never see his body swept up by the waves or even his body lying on the sand after that.  The only reason this bugs me is because the story takes place over the course of a day and a half, so if his body wasn’t taken by the waves, then it should still be there when Nancy does make it off the tiny island she has been confined to.

The Shallows is a surprisingly intriguing thriller, held together by a committed performance from Blake Lively, clever editing and a suspenseful plot.  If you’re looking for a flick that keeps you on the edge of the seat till the very end, then The Shallows just might be the good time you’re looking for.

Saint Christopher, pray for us.

Truth Within A Tagline

~ amyemsal23 ~ 4 Comments

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A new film called The Neon Demon is now in limited theatrical release.  No, I will not be seeing the movie.  The trailer alone made me feel unsettled.
However, while browsing through Facebook, the teaser trailer of the movie’s FB page kept popping up on my newsfeed.  The caption above the promotional video caught my eye:

“The face of an angel can awaken the demon.”

As disturbing as that line is, something about it resonated with me.  The more I thought about it, the more I realized that within the frightening quote lies a hint of truth.

I once had a dream where I was looking at what seemed to be a girl made entirely of light slowly spinning around amidst a deep gray fog.  I texted a friend of mine about it and his response was, “Hmm…sounds like a beacon of holiness in the midst of darkness…” Looking back on that dream now combined with The Neon Demon tagline, I think it all points to the fact that where there are angels, there are demons and vice versa.

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You and I exist in the physical world, but within our reality lies a hidden spiritual world where the forces of Light and darkness reside in oppositional existence.

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Imagine that there is a veil between our visible reality and the invisible realm, a fabric barrier that angels can pass through with no limitations, but you and I can’t even touch with our fingertips.  On the other side of the veil is an invisible realm where the forces of good and evil do not coexist peacefully, but rather do battle with one another.
On the other side of our reality is a battlefield where angels of God fight to protect us while the demons of the evil one seek to drag us down.
While we eat, sleep and go about our routines, this is taking place:
Saint Michael

Wherever there is goodness, evil is sure to follow behind like a relentless stalker.  Purity cannot flourish without corruption creeping in to put a stop to it.
However, at the same time, when corruption does rear its ugly head, purity arrives to interrupt and overtake it.
Admittedly, it is terrifying to think that darkness comes after light, that there will always be an infernal force ready to wreck havoc wherever goodness appears.  And yet, I take comfort in the fact that the opposite is true: Where darkness reigns, Light will surely intervene.
Whenever there is a Lucifer who tries to bring about division and chaos, there will also be a Michael who courageously stands up to restore peace and unity.

If the face of an angel can awaken a demon, then take heart in the fact that while the demon is rising from its slumber, the angel is already up and alert, ready to fight.

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Saint Padre Pio was a man who frequently encountered both good and evil residents of the hidden world.  Angels would greet him and demons would beat him.  He had every reason to want to avoid the spiritual world, and yet he embraced the celestial reality.

“Do not fear him (devil). Trust more and more in Jesus, who never leaves you alone when confronted by Satan.”
–Saint Padre Pio of Pietrelcina

The next time the devil hisses at you, “Where Jesus is, I am,” just smile and say with confidence, “But where you are, He is.”
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Saint Michael, Saint Gabriel and Saint Raphael, pray for us.