What a sad world politics is; follow your conscience and lose, or sell your soul and win.
This is my review of Miss Sloane!
Madeline Elizabeth Sloane, or Liz for short (she never goes by her first name) is a Washington lobbyist who is notorious for her cunning intellect and insatiable appetite to win at any cost. After turning down an opportunity to work for an NRA-type gun lobbying group, Miss Sloane instead takes a job working for a gun-control advocacy group (think a fictitious version of the Brady Campaign to Prevent Gun Violence) and comes to discover that the price to pay for victory in this arena may be higher than she had anticipated.
I really appreciate that the filmmakers picked the topic of guns, which certainly does get heated, but isn’t nearly as volcanic as abortion or gay rights. While their approach to the subject does have a left-leaning slant (this is leftist Hollywood we’re dealing with here), they do manage to make it accessible to both sides of the argument. It also helps that the issue of guns is the backdrop, while the primary focus of the narrative is the behind-the-scene battle between competing lobbyists.
Jessica Chastain is magnificent in this role! Now mind you, I’m guessing that her role as the villainous sister in Crimson Peak was just a practice-run. An icy woman with a piercing gaze, cloaked in an armor of designer clothes, a sharp tongue and grudging prestige, Miss Sloane is a femme fatale with a deeply flawed humanity. I would say that she’s a character you love to hate, but then again, you can’t quite hate her. Chastain’s performance doesn’t make Miss Sloane a complete witch, but rather allows moments of vulnerability without completely shedding her hardened persona. Honestly, I really hope that Jessica Chastain continues playing flawed protagonists and even antagonists!
Esme Manucharian, played wonderfully by Gugulethu “Gugu” Mbatha-Raw, is the perfect foil to Miss Sloane. Warm eyes with a gentle expression, Esme is the heart of the operation with Miss Sloane as the head. The fight against gun violence is a personal one for Esme, in contrast to Miss Sloane’s impersonal pursuit of victory. Esme is the losing follower of conscience while Miss Sloane is the winning warrior who sells her soul.
I would like to point out that I’m really glad the film subtly tackles insomnia. It’s more a background detail of Miss Sloane’s character arch and is not completely in-your-face. We never see her close her eyes for a quick nap, let alone is there ever a scene that begins with her waking up from a restful night. While one would hope that she would end up getting help for her sleep deprivation in the end, it seemed more in-character that the self-preserving and prideful Miss Sloane wouldn’t admit this weakness to herself.
Sam Waterson, who you will definitely know if you’re a fan of Law and Order, seemed a little too cartoonish at times. No, his performance wasn’t horrible, but there’s one early scene where he’s confronting Miss Sloane and he looked like he was trying a little too hard, to the point of borderline overacting.
I think director John Madden might like “Gone Girl” a little too much, because Madeline Elizabeth Sloane is basically Amy Elliot Dunne if she [Dunne] were a lobbyist and–well, I don’t want to go into spoiler territory–so I’ll put it this way: The last twenty minutes of this flick pull some serious “Gone-Girl-eqsue” plot conveniences that are a bit of a stretch. Now I happen to love Gone Girl, both the book and the movie, but still, some originality is always welcome.
A lot of the character relationships are underdeveloped. I can tell that there was an idea for a friendship between Miss Sloane and Esme, but because of the titular character’s inability (or lack of willingness) to connect with others, the relationship never becomes anything more than two philosophically-opposed women who aren’t truly friends, yet are never really enemies. Now the argument could be made that their relationship is meant to be lukewarm, but even by those standards, how the relationship develops feels very aimless to the point where I never felt ; like I said, there probably was an idea, but it got lost as production of the film went on. Sorry, guys, but one scene with Miss Sloane and Esme eating at a Chinese restaurant isn’t gonna cut it. They did a good job making Miss Sloane and Esme polar opposites, but how these two ladies connect goes quietly unexplored.
Miss Sloane succeeds as both a complex character study and a political thriller. In this film, the chase is more interesting than the catch; the fight between lobbying groups is engaging enough to where we can put up with the political jargon and talk of poll numbers. Jessica Chastain’s performance electrifies every frame while the tasteful handling of the subject matter makes this easier to sit through than all three Presidential debates (yes, I just had to bring up the 2016 election; I regret nothing!). Despite some plot conveniences and undercooked relationships between characters, Miss Sloane stands tall on its own two feet. For the political junkie in your life, I’d recommend that they give this one a shot.
Our Lady of Guadalupe, pray for us.