CGB Review of Logan (2017)

Well, someone REALLY liked “The Last of Us” and decided to make a movie out of it, but starring Wolverine…

…And I’m okay with that.

This is my review of Logan!
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The year is 2029.  James Howlett, also known as Logan–and also known as Wolverine–is a weary, beaten-down, old mutant who is just barely getting by with booze in hand and a desire for the end of his pain.  He is a limo driver by day and caring for Professor X by night.  Logan’s miserable existence is chaotically interrupted when a young mutant named Laura Kinney (Dafne Keen) shows up on his doorstep with a ruthless agency on the hunt for her and others like her.  With one mutant Caliban in captivity and Charles Xavier being senile and fading, it’s ultimately up to Logan to get Laura to a shelter where she will be kept company by (quite possibly) the next generation of mutants.

The Hits
The action in this film is quite spectacular to behold.  Gripping, fast-paced and relentlessly violent, there is an underlining catharsis to each stab and shot fired.  You can feel the excruciating pain that runs through Wolverine’s hands every time he unleashes his steel claws.   The oppression of violence from the antagonists presses you down and forces you to hold your breath as you pray for the start of a new scene.
So this is Hugh Jackman’s final time playing the Wolverine and, by golly, he gives this performance his all.  Logan is a broken man; Weakened yet never pitiful, struck down but not destroyed, just the act of living takes every ounce of strength that he can muster.  He has seen it all, heard it all and lived through every conceivable disaster you can think of; nothing is new to him and nothing more can further damage an already irreparable man.  I really appreciate how he never gets too sappy or sentimental.  His care for Laura and Professor X is displayed through his actions, never his attitude or words.  He’s like a father who isn’t very outwardly affectionate, but shows his kids he cares for them just by working hard for them.  In the same vein as Masey McClain’s performance in “I’m Not Ashamed,” Hugh Jackman’s portrayal of Wolverine is the glue that holds this movie together, the mythological Atlas who holds the weight of the narrative on his
One review I read described this film as “unexpectedly moving” and quite frankly, I concur.  The heart of this story are Logan’s withering relationships; his fragmented rapport with Professor X, his tension with Caliban and his resistance to empathy for Laura are fascinating and strangely moving to watch.  In addition, Patrick Stewart gives a very powerful monologue along with an endearing, while Dafne Keen’s Laura is a force to be reckoned with.  She’s essentially a young, female version of Logan, but is surprisingly both hardened and yet hopeful all at the same time.  She is a child soldier who somehow maintains a believable amount of innocence that allows her to experience the world around her with fresh eyes.

The Misses
Much like the first Hunger Games movie, this movie does involve violence against children and violence being committed by children, in particular by Laura herself.  This can be very unnerving to watch, especially if you have and/or work with children.  Even the fact that they are mutant children who are more than capable of protecting themselves doesn’t make the violence against them or the violence they are engaging in any less disturbing.
A few days ago, one of the friends I saw this movie with texted me to ask, “…are you okay with excessive blood and gore?  From what I’ve heard, this [Logan] is supposed to be more graphic than Deadpool?”  To which I responded with, “M.P., my favorite movie of all time is Pan’s Labyrinth and that movie features a guy [Captain Vidal] getting stabbed in the shoulder, chest and THEN having his cheek sliced from the inside!  I’ll be fine.”  As my friend M.P. said, this movie has some seriously excessive blood and gore.  Viewers who are squeamish and sensitive to gore might want to think twice before buying a ticket.

Overall Logan turned out to be much better than I expected.  In fact, the more I think about this movie, the more compelling it becomes and I almost want to see it again.  Logan can come off as nihilistic, but never goes into full-blown “there’s no point to this” despair.  This is a dreary, pragmatic film held together by one shattered man and his fragmented relationships, a grounded comic book adaptation with grit and style that is bound to stay with you long after the credits roll.  Whether you are a fan of the X-Men franchise or an outsider looking in, the multifaceted character of James “Logan” Howlett, aka the Wolverine, goes out with both a blood-soaked bang and a curdling whimper.

Blessed Laura Vicuna, pray for us.

CGB Review of X-Men Apocalypse (2016)

So the next time you take a trip to Cairo (I’m sure you’re planning on it), be sure not to resurrect any all-powerful mutants.  If you’ve seen the movie already, you’ll know what I’m talking about.

This is my review of X-Men Apocalypse!

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Apocalypse is known as the first mutant to ever come into existence.  In addition, he is also all-powerful and able to transfer his consciousness into another person’s body so that he can continue to live on.  Yikes!  As you can imagine, when Apocalypse resurrects and begins gathering followers (including the disheveled Eric/Magneto) to do his bidding, Professor Charles Xavier, Mystique and their allies must bring Magneto back to the Light and put an end to Apocalypse’s plan for world destruction.

The Hits
Oscar Isaac is excellent as Apocalypse.  While he’s not as terrifying as, say, Captain Vidal (Pan’s Labyrinth) or Jimmy “Whitey” Bulger (Black Mass), there is an unsettling chill to his character.  Also, I did think it was interesting how his “transferring-his-consciousness-to-another-person” thing resembles demonic possession; not so much in the prologue, but in the third act when [SPOILER ALERT] he tries to transfer his soul into Charles Xavier’s body and Charles is valiantly resisting becoming possessed by the malevolent foe.
There are a lot of good scenes that work well on their own and the engaging action is well-choreographed.   The action is filmed in a way where you can actually see what’s happening between the characters who are in combat.
Nightcrawler is like Finn from Force Awakens: Absolutely lovable!  There’s an innocence and innate goodness to him that makes him endearing.  It is a little cliché that he’s being presented as a “demonlike creature whose actually a good guy while his angel counterpart is one of the bad guys” thing, but that overdone irony is not emphasized very much.  I was actually relieved when Apocalypse turns Angel’s wings silver because Angel’s previously white wings looked uncomfortably similar to Archangel Michael’s wings.  Oh, and did I mention that Nightcrawler is Catholic?  Yep, he be a Catholic mutant!  🙂
Quicksilver is also an awesome character!  He’s basically a less crude Wade Wilson/Deadpool; witty, cool and confident.  Luckily while he has some similarities to Deadpool, he’s not a blatant carbon copy of the character.
While I, as a Jennifer Lawrence fan, am getting a bit tired of J-Law always playing the “strong woman who is strong because she has to be” archetype (don’t believe me?  Watch Winter’s Bone and The Hunger Games series; don’t even bother with watching Joy), I did like her arch as Raven/Mystique; the reluctant role model who is looked up to after standing up to Magneto in X-Men: First Class, but who personally looks upon that episode in her life as a tragedy.  Also, I just gotta say it: Her hair in this movie was rockin’!  I guess I just really like the “structurally-messy” look.  🙂

The Misses
It seems as though there was supposed to be a “Mystique redeems Magneto” subplot somewhere in the script because Mystique keeps acting as if she is responsible for bringing Magneto back to the side of good and truth.  If this is the case, then it wasn’t well-conveyed.
So I saw this movie with a friend of mine who has seen it twice already.  Even though we both enjoyed the film, we both have one issue with the script: Pacing and story structure.
Yes, the pacing in this movie could have been better.  While individual scenes are intriguing by themselves, the movie itself never completely comes together as a cohesive narrative.  Some scenes feel separate from each other and even unnecessary at times.  To be fair, the story comes together in the third act, but 50% of this movie could have used some polishing.

X-Men Apocalypse is an intriguing mess.  The overall story is scattered, but the good performances, suave villain and sequences within the narrative kept my attention all the way through.

Since this is the third Superhero movie review where I’ve name-dropped Saint Michael (see my reviews for Winter Soldier and Batman v. Superman), I’m gonna end this review with Saint Isaac Jogues because why not?
So Saint Isaac Jogues, pray for us.