CGB Review of X-Men Apocalypse (2016)

So the next time you take a trip to Cairo (I’m sure you’re planning on it), be sure not to resurrect any all-powerful mutants.  If you’ve seen the movie already, you’ll know what I’m talking about.

This is my review of X-Men Apocalypse!

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Apocalypse is known as the first mutant to ever come into existence.  In addition, he is also all-powerful and able to transfer his consciousness into another person’s body so that he can continue to live on.  Yikes!  As you can imagine, when Apocalypse resurrects and begins gathering followers (including the disheveled Eric/Magneto) to do his bidding, Professor Charles Xavier, Mystique and their allies must bring Magneto back to the Light and put an end to Apocalypse’s plan for world destruction.

The Hits
Oscar Isaac is excellent as Apocalypse.  While he’s not as terrifying as, say, Captain Vidal (Pan’s Labyrinth) or Jimmy “Whitey” Bulger (Black Mass), there is an unsettling chill to his character.  Also, I did think it was interesting how his “transferring-his-consciousness-to-another-person” thing resembles demonic possession; not so much in the prologue, but in the third act when [SPOILER ALERT] he tries to transfer his soul into Charles Xavier’s body and Charles is valiantly resisting becoming possessed by the malevolent foe.
There are a lot of good scenes that work well on their own and the engaging action is well-choreographed.   The action is filmed in a way where you can actually see what’s happening between the characters who are in combat.
Nightcrawler is like Finn from Force Awakens: Absolutely lovable!  There’s an innocence and innate goodness to him that makes him endearing.  It is a little cliché that he’s being presented as a “demonlike creature whose actually a good guy while his angel counterpart is one of the bad guys” thing, but that overdone irony is not emphasized very much.  I was actually relieved when Apocalypse turns Angel’s wings silver because Angel’s previously white wings looked uncomfortably similar to Archangel Michael’s wings.  Oh, and did I mention that Nightcrawler is Catholic?  Yep, he be a Catholic mutant!  🙂
Quicksilver is also an awesome character!  He’s basically a less crude Wade Wilson/Deadpool; witty, cool and confident.  Luckily while he has some similarities to Deadpool, he’s not a blatant carbon copy of the character.
While I, as a Jennifer Lawrence fan, am getting a bit tired of J-Law always playing the “strong woman who is strong because she has to be” archetype (don’t believe me?  Watch Winter’s Bone and The Hunger Games series; don’t even bother with watching Joy), I did like her arch as Raven/Mystique; the reluctant role model who is looked up to after standing up to Magneto in X-Men: First Class, but who personally looks upon that episode in her life as a tragedy.  Also, I just gotta say it: Her hair in this movie was rockin’!  I guess I just really like the “structurally-messy” look.  🙂

The Misses
It seems as though there was supposed to be a “Mystique redeems Magneto” subplot somewhere in the script because Mystique keeps acting as if she is responsible for bringing Magneto back to the side of good and truth.  If this is the case, then it wasn’t well-conveyed.
So I saw this movie with a friend of mine who has seen it twice already.  Even though we both enjoyed the film, we both have one issue with the script: Pacing and story structure.
Yes, the pacing in this movie could have been better.  While individual scenes are intriguing by themselves, the movie itself never completely comes together as a cohesive narrative.  Some scenes feel separate from each other and even unnecessary at times.  To be fair, the story comes together in the third act, but 50% of this movie could have used some polishing.

X-Men Apocalypse is an intriguing mess.  The overall story is scattered, but the good performances, suave villain and sequences within the narrative kept my attention all the way through.

Since this is the third Superhero movie review where I’ve name-dropped Saint Michael (see my reviews for Winter Soldier and Batman v. Superman), I’m gonna end this review with Saint Isaac Jogues because why not?
So Saint Isaac Jogues, pray for us.

CGB Review of Captain America: The Winter Soldier

Winter is coming and so is its soldier.

This is my review of Captain America: The Winter Soldier!

 

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It has been two years since the Battle of New York (the first Avengers movie).  Steve Rogers, aka Captain America (or “Cap” for short) is living in Washington, D.C. and works for S.H.I.E.L.D with Nick Fury.  However, things are not always as they seem and Cap’s trust in S.H.I.E.L.D is tested.  When a deadly conspiracy is discovered, Cap and Black Widow (Natasha Romanoff) must team up to save the day.

The Hits
As someone with a devotion to Saint Michael the Archangel, I am pleasantly surprised by how much Captain America reminds me of Michael; brave, honorable and standing firmly on the side of truth.  I love Cap’s sense of justice and duty, how he faithfully carries out S.H.I.E.L.D’s order, yet never does so blindly and how he stands his ground in the face of opposition.  He’s not perfect by any means.  He is a good man who seeks what is right and just in all things.  Often times, characters who are essentially pure of heart tend to suffer from being written as bland and uninvesting.  Luckily, a combination of thoughtful writing and Chris Evans’grounded performance make Cap virtuous without artifice, completely human while at the same time being a cut above.   I guess what I’m trying to say is I really love Captain America! 🙂
The Winter Soldier himself is a seriously terrifying villain.  I appreciate that his dialogue is sparse and how he uses the intensity of his gaze to intimidate and strike fear into the hearts of his victims.  His few words and fierce facial expressions make him an unnerving presence when he is on screen.
I really like the idea that [SPOILER TO ANYONE WHO STILL HASN’T WATCHED WINTER SOLDIER] S.H.I.E.L.D has been compromised by Hydra.  It mimics real life in that the people or groups we think are moral and upright sometimes turn out to be the opposite.  Also kudos to the strength of the plot’s intrigue, which is important for a film like this which has many complex elements.

The Misses
Some of the action is hard to see due to rapid editing.  I could see Cap’s action just fine, though at times the shaky cam would give me a headache, but Black Widow’s action sequences in particular are difficult to make out.  Speaking of Natasha (and I apologize in advance to any and all Black Widow fans), but I’ve seen her in four movies now (Avengers, Age of Ultron, Winter Soldier and Civil War) and I still don’t care for her character.  She has a good rapport with the other characters, but by herself, she’s not very interesting to me.
Can we please talk about the first five minutes, where we see Cap jogging with a seemingly random stranger (Sam Wilson) who we later learn is Falcon?  I get that the filmmakers were setting up Falcon, but within the movie’s universe, it just comes off as abrupt that two strangers would suddenly start jogging together for a long period of time.  I kind of wish the opening scene had shown Cap and Sam meeting first and then jogging into the Washington sunrise.

I can see why Captain America: The Winter Soldier is held with high regard among Marvel fans.  Along with the exciting action, well-written intrigue and a solid plot, Captain America himself is an admirable character and a hero you can believe in, just like the mighty Archangel himself.

Saint Michael the Archangel, pray for us.
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CGB Double-Feature Review of The Hunger Games: Mockingjay Parts 1 & 2

The series may be over, but the fire it started will burn forever.

This is my review of The Hunger Games: Mockingjay Parts 1 & 2!

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The Hunger Games: Mockingjay is the third/fourth and final chapter in the Hunger Games film series.  This is where Katniss must cope with the trauma of the Games while being the reluctant symbol of the uprising against President Snow and the Capitol.  In Part 1, Katniss is psychologically tormented by Peeta Mellark’s imprisonment at the Capitol.

Yes, this is a first-ever double feature movie review here on Catholic Girl Bloggin’!  I will have to say good-bye to this film series that I fell in love with just three years ago.

Let us begin.

Part 1 Hits
Jennifer Lawrence is amazing as usual.  Her performance tells me that to her, Katniss isn’t just another character she’s being paid to portray; Katniss is a person she respects and understands. This movie allows Katniss to fall apart and descend into her trauma, and Jennifer Lawrence knew how to deliver some powerful acting without getting too carried away (i.e. overacting). I cried three times during this movie, and two of those times were because of Jennifer Lawrence’s facial expressions and inflections. When an actor can make me feel distressed over the fate of fictional characters, that’s the sign of a strong performer.
This movie really knows how to sum up its supporting characters in a few scenes or less. Effie Trinket’s first scene in the movie is the best summary of her character that I’ve seen since the last two films. Haymitch’s entrance into the plot is downright awesome. I will say that I was wrong about Julianne Moore being miscast as President Alma Coin. Nope, she was the right choice. She manages to be semi-warm and welcoming, while carrying an iciness that Katniss can sense from a mile away.
If you’re a fan of House of Cards or any genre involving political intrigue, then you’re gonna like this movie. President Snow has made my Favorite Villains List. I would put him at #3 of that list. He is one evil son of a gun. The villain who can hurt you without being in the room is a dangerous person. I thought it was smart for both District 13 and the Capitol to use propaganda as their weapon of choice.

Part 2 Hits
Jennifer Lawrence always has been and forever will be Katniss Everdeen. She brings Katniss’ character arch full circle with a locked-down, quiet performance.  Along with being stunningly beautiful, Jennifer Lawrence brings a sense of vulnerability to her gravitas as she effortlessly brings Katniss to life one last time.
The heart of the franchise is Katniss and Peeta’s relationship.  I love the chaste and tender nature of their bond.  Their ordeal in the first Games and in the Quarter Quell have bound them to each other.  Jennifer Lawrence and Josh Hutcherson both sell Katniss and Peeta’s care for one another with the believable depth of their performances.
While the pacing can be punishing for moviegoers who prefer stories that move faster, once the action starts, it will take your breath away.  The traps that Katniss and her crew have to go through are everything that you would expect from the extravagant, excessive Capitol.  There’s one great, nail-biting sequence that takes place in the sewers.  If you’re a fan of the horror genre, you’re going to love this scene.  Though if you suffer from clausterphobia as I do, then you might want to shut your eyes when Katniss and company first walk through the very narrow tunnel which has the ceiling really close to their scalps.  It only takes them two minutes to walk through the tunnel, but clausterphobia-sufferers might feel a tad uncomfortable.
President Snow…good Lord, this guy is diabolical.  Donald Sutherland is having the time of his life playing Snow.  I have enjoyed watching his rivarly with Katniss over the course of the series and I do hope that Mr. Sutherland continues to play villains from here on out.

The Misses with Parts 1 & 2 
Everything wrong with Mockingjay has to do with the fact that it was split into two parts.  The actual book Mockingjay is only 390 pages and is in fact one page shorter than Catching Fire, which is 391 pages.  Because of this, both film do suffer from filler-riddled scenes.  If you’re not a fan of films that take their time, both films might test your patience.
It seems as though the weaknesses of the Hunger Games franchise remain unimproved.  Prim still lacks presence outside of being a plot device, Gale is not fleshed out very well and the two-part split means sitting through some filler.

All that being said, let the record show that I feel Mockingjay Parts 1 & 2 are actually better than the book itself.  The filmmakers knew they had a huge challenge facing them in making a dialogue-heavy book with minimal action and making it cinematic.  I feel that director Francis Lawrence and everyone else involved stepped up to the plate and brought to us a truly satisfying conclusion to an influential series.

This brings us to the end of the CGB Hunger Games Extravaganza.  I have thoroughly enjoyed reminiscing and reviewing my favorite film series for you guys and gals.
Happy Hunger Games and may the odds be ever in your favor always.

 

Saint Catherine of Siena, pray for us.

CGB Review of Guardians of the Galaxy (2014)

I know this seems like a random CGB post.  This movie isn’t in theaters anymore and I didn’t even announce that I’d be reviewing this movie on the CGB Facebook page.  However, there is an explanation as to why I’m reviewing this today.
On Friday, I wrote my first article for The Catholic Response.  It was an op-ed about Kim Davis, the Kentucky County Clerk who refused to issue marriage licenses to both homosexual and heterosexual couples.  When I posted the article on my personal FB page, it didn’t take long for a war to break out in the comments section between my conservative friends and my liberal friends.  Anywho, playing defense for two days wore me out, so I thought I’d do a more light-hearted post.

This is my review of Guardians of the Galaxy!

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Guardians of the Galaxy is the movie that had Marvel Studios bitting their nails. Based on an obscure series of comics, Guardians of the Galaxy tells the story of Peter Quill, aka Starlord, a fast-talking, brash space collector who ends up coming across three misfits; an alien named Gamora and two genetically engineered creatures, Rocket the racoon and his tree hybrid friend, Groot.  The four of them are taken into custody after a brief quarrel with one another and meet another outcast named Drax.  From there, this ragtag group must come together to save the world.

I’ve seen this movie four times and it wasn’t until my fourth viewing when I finally gave in to the film’s charms and embraced it as my favorite Marvel movie.  This is the ultimate popcorn flick!

The Hits
I have always had a soft spot for stories about a group of oddball people who have to set aside their differences and stick together.  The five leads are well-established and identifiable not just because of their unique designs, but also because of their personalities and backstories.  Peter/Starlord, Gamora, Drax, Rocket and Groot are all fleshed-out characters and never come across as cliched tropes.
I LOVE Rocket and Groot!  Rocket is hilarious with his sardonic humor and quips. Groot is just charming with his humility and classic line, “I am Groot.”  I appreciate how his one line never becomes annoying.  It’s made clear that he has a limited vocabulary through no fault of his own, so him saying “I am Groot” all the time is understandable.
Guardians of the Galaxy does what Fant4stic Four couldn’t achieve; it establishes Starlord, Gamora, Drax, Rocket and Groot as a family unit.  They bicker and argue without bailing on each other.  They disagree, but begrugingly come to necessary compromises.  There’s a dynamic within the group.  They have a rapport with one another.  What’s interesting is that the five characters start out using each other, but as a journey goes on, their selfish agendas are gradually replaced with sincere loyalty and a sense that sticking together is essential for their survival.  Actually, this movie depicts how everything falls apart when people come together for self-serving reasons, and that the greater good can be accomplished once those same people put aside personal gain.
C.S. Lewis once said, “How monotonously alike all the great tyrants and conquerors have been; how gloriously different are the saints.”  This movie is a great example of that.  The villains, Thanos, Ronan and Nebula have the same demeanor and are all self-centered.  Meanwhile, Starlord, Gamora, Drax, Rocket and Groot all have distinct personalities and different backstories, yet come together for the same cause.
Yes, I love the Guardians of the Galaxy soundtrack.  I’ve listen to “Hooked on a Feeling,” “Cherry Bomb” and “Come and Get Your Love” about a dozen times. Making Peter Quill/Starlord a lover of 80’s rock music was a brilliant way to incorporate the songs into the film.

The Misses
Why did it take four viewings for me to like Guardians of the Galaxy?  Well, for one, you almost have to watch it a second time because the plot gets convoluted, especially with its space talk and technobabble.  I found myself caring more about the characters than the actual conflict.  Despite all the emphasis placed on the Inifinity Stone thingamajig, the object itself doesn’t have much presence.  I kept forgetting that the Infinity Stone was even a thing unless characters brought it up via expositional dialogue.
Am I the only one getting sick of weak villains?  I understand that no one is born evil, but come on, screenwriters, step up your game when it comes to writing villains!  Mind you, the MCU (Marvel Cinematic Universe) is handled by the same people who gave us the entertaining, yet intimidating Loki (Thor’s brother).  Loki is the best comedic villain that I’ve seen in a while, so I know that Marvel Studios is capable of bringing great villains to the big screen.  As for Guardians, Ronan the Accuser is the reason why I didn’t care for the story’s conflict.  The script tries to make him a narrow-minded traditionalist, but that arch goes nowhere.  His rivalry with Thanos is partially realized.  Two villains who don’t like each other is an interesting concept, but the movie doesn’t execute it very well. Ronan himself is just not very interesting.  His design is passable and the actor portraying him is fine, but the character never frightened me.  How am I supposed to be concerned about the safety of the protagonist(s) if the villain isn’t an intimidating threat?
Finally, there is one thing I should mention.  The movie opens with a hospital scene in which young Peter Quill says good-bye to his dying mother.  This scene might be uncomfortable for those who have lost a family member (specifically a mother or grandmother) recently.  The scene is only a few minutes long, but I thought I’d give you all a heads-up.

Honestly, I love this movie because of the five titular Guardians.  Their evolution from selfish outcasts to a family unit that would go through Hell and back for each other is executed wonderfully.  Other than the heartwrenching opening scene, the majority of the movie is an exciting action comedy with heart and humor.

Saint Ignatius of Loyala, pray for us.

CGB Review of Melancholia (2011)

“Lord, can I just click out of Netflix, go downstairs and put The Imitation Game back in the Blue-Ray machine?” I said aloud as I endured Melancholia’s overly-long wedding reception.

This is my review of Melancholia!

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Melancholia tells the story of two sisters, Justine and Claire and the disintegration of their co-dependent relationship as they await the inevitable destruction of Earth once it collides with the planet Melancholia.
This movie is directed by Lars Von Trier, a Danish filmmaker who has his own approach and style to his films (just look up Dogme 95).  In a nutshell, he loves handheld cameras, nudity and being artsy.  I think one of his more recent films features a girl walking up some stairs and then 3+5 appears on the screen because–Von Trier.
Guys and gals, I really wanted to love Melancholia.  After The Imitation Game gave me an incredible experience, I was ready to be wowed by another indie movie.  But once the credits rolled with Melancholia, I felt drained from slogging through this one.
Okay, let’s go over the few things this movie got right and where it took a nosedive.

The Hits
The opening scene is amazing!  We see some beautifully choreographed montages of our main characters treading nature landscapes in slow motion, accompanied by Triston and Isolde musical score.  I’ll give the movie this: If you’re studying cinematography, then you’re gonna love this film because there are some really gorgeous shots of the courtyard, the moon, and especially of the sky.
Kirsten Dunst and Charlotte Gainsbourg (who shows up in a lot of Von Trier’s films) give everything they’ve got to make the film watchable.  They are believable as two sisters with a strained relationship.  You may find it odd that Claire has a British accent while Justine doesn’t, but then we see that their mother is British and the father is American, so this potential issue is fixed right away.
The story of two characters coping with an inevitable coming doom is a compelling story arch that can make for some great character studies if done well.  The actual plot of Melancholia is pretty original and the fantastic opening scene made me feel hopeful for a surreal experience.
Well, I had an experience, all right…a frustrating one.

The Misses
WHY IS PACING SUCH AN ISSUE?!
The wedding reception…ugh!  This is where the pacing suffers greatly.  I asked my mother, “Are wedding receptions this long?”  Justine’s wedding reception has got to be the longest, most drawn-out movie wedding reception in cinematic history.  What makes it drag is that there are segments that could have been cut out.  I have no problem with Justine sitting silently in the bathtub during her reception or the sisters’ mother ranting about the woes of modern marriage.  These are necessary moments for character development.  However, do I really need to know that Justine and Claire’s dad collects spoons?  Is it essential to the plot that we watch Justine try to drive the wedding limo?  Was Justine’s boss/the best man even needed in this story?  I understand that boss characters typically represent greed and corporatism, but his character has one long wedding toast speech and then a handful of sentences before he leaves the plot, never to be seen again.  If you’re going to have your main character stand up to someone, make sure that the person they’re confronting has done something to negatively impact them.  Have Justine confront her hateful mother or Claire’s husband who never shuts up about how much the wedding cost.
In my past reviews, I’ve complained about too much dialogue.  Aloha’s use of dialogue involved characters walking up to each other and explaining exposition.  Courageous used ten lines of dialogue to explain something that could’ve been summed up in five words or less.  Melancholia has the opposite problem; there is not enough dialogue.  When characters do talk, the conversations stop the story because characters will talk about the food or the music, basically things that have little to no connection to advancing the story or developing character.

I did some research on Lars Von Trier and this seems to be a guy who really loves cinema.  “I’m afraid of everything except filmmaking,” he has said.
I know you have a lot of phobias, Lars, but pacing is your friend, not your foe.