CGB Review of The Magnificent Seven (2016)/With A Brief Cameo from MsOWrites

(Rides towards a dusty old town on a horse) How ya doin’ back there, Guardian Angel?
(Enter GUARDIAN ANGEL)
GUARDIAN ANGEL: No wonder you humans prefer cars over horses.
ME: Don’t tell that to equestrian enthusiasts.  Also, you do realize that you have wings and can just fly ahead of me, right?
GUARDIAN ANGEL: (Shrugs) CGB, you know that angels aren’t show-offs.
ME: Are you ever gonna take off your Deadpool mask?
GUARDIAN ANGEL: Sure, if you want to be blinded by my light.
(Screaming people are heard from a distance) (ME and GUARDIAN ANGEL see the dusty old town on fire)
ME: Why does this remind me of the first ten minutes of The Magnificent Seven?
GUARDIAN ANGEL: Probably because that’s how the movie opens.

This is my review of The Magnificent Seven!

Denzel Washington;Chris Pratt;Ethan Hawke;Manuel Garcia-Rulfo;Vincent D Onofrio;Martin Sensmeier;Byung-hun Lee

After her husband is murdered for standing up to greedy industrialist Bartholomew Bogue, Emma Cullen and the other desperate locals of Rose Creek seek the help of warrant officer Sam Chisolm (Denzel Washington), who then recruits a gambler named Joshua Faraday (Chris Pratt; just think Emmet from LEGO Movie and Starlord from Guardians of the Galaxy, or Emmet Starlord as I like to call him), a Confederate sharpshooter named Goodnight Robicheaux (Ethan Hawke), mountain man Jack Horne (Vincent D’Onofrio), the East Asian immigrant Billy Rocks (Byung-hun Lee), an outlaw simply known as Vasquez (Manuel Garcia-Rulfo) and the exiled Comanche Red Harvest (Martin Sensmeier) to take on Bogue and save Rose Creek.

The Hits
As a popcorn flick, this movie really works!  Much like Storks, the plot is very self-aware and focuses on being an entertaining shoot-em-up thrill ride.  This is the kind of standard plot that shouldn’t work, but the Magnificent Seven makes it work with a likable and dynamic cast, as well as fun action scenes where you can actually see what’s happening instead of being bombarded with constant shaky-cam.
Chris Pratt and Denzel Washington are just playing, well, Chris Pratt and Denzel Washington…and they are very good at it.  Washington brings his authoritative calm to the role of Sam Chisolm, asserting himself as a warrant officer who seeks the help the helpless and defend the voiceless.  Meanwhile Pratt plays Joshua Faraday with a slightly twisted yet playful charm.   The scene where he uses card tricks to get out of a situation involving two brothers who want to kill him is incredibly fun and even a tad suspenseful to watch.
While the marketing made it seem that this was going to be a Chris Pratt-Denzel-Washington vehicle, the final product makes use of the other cast members.  Ethan Hawke is given a compelling character arch as a Confederate soldier with PTSD, while Vincent D’Onofrio is absolutely fun to watch without overstaying his enthusiastic welcome.  The action sequences where all seven of them fight antagonists serve as showcases for each character’s fighting style, allowing distinction between protagonists so that they don’t all just blend into dull and boring pawns with muscle.  I definitely like the camaraderie that forms between the seven men.   As the movies goes on, a brotherhood develops and you really feel that these guys go from fighting as reluctant teammates to working together as willing allies.
I also appreciate that the female lead played by Haley Bennett doesn’t fall for one of the Magnificent Seven members.  Given that her husband, played by Matt Bomer, dies in the first fifteen minutes, I think it would’ve been out of place for her and even forced to have her fall head-over-heels for Pratt or Washington.

GUARDIAN ANGEL: CGB, get behind me!
ME: Wait, what?  (Grabbed by GUARDIAN ANGEL and thrust behind his large wings) Holy cow, you’re taller than I thought.
GUARDIAN ANGEL: You’re just now realizing that?
ME: Well, gee, I’m sorry I don’t have superior intellect like you angels.
GUARDIAN ANGEL: (Playful smirk) Stay down, but try to look past my wing.
ME: (Carefully looks up and sees a man in a white suit standing among the flames) Yeeesh, who the heck is that dude?
GUARDIAN ANGEL: That is White Suit.
ME: Is that his real name?
GUARDIAN ANGEL: No, but he comes from the netherworld, so I’d rather not say his real name.
ME: (Swallows) Gotcha.
GUARDIAN ANGEL: I know for a fact that he assisted Amanda Waller in capturing you, MsOWrites, Catholic N00B, Rosalie Contrite and Surrender the Brownies.
ME: That explains how Waller and Rick Flag found my house!
GUARDIAN ANGEL: Correct.  (Holds up two katanas)
ME: Wait, I thought you gave me one of your katanas.
GUARDIAN ANGEL: I did.  That doesn’t mean I don’t have an unlimited supply.  Listen, go to that conveniently-empty house and focus on the review.  I’ll see if we can cross through this town without catching White Suit’s attention.
ME: You do realize that I can fight, right?  I fought the Joker in the Suicide Squad review.
GUARDIAN ANGEL: Only to have Catholic N00b finish him off.  Case in point: You’re not ready to fight off fallen angels.  To be fair, no human is.
ME: That makes sense.  All right, I’ll comply.  (Heads to conveniently-empty house and sits on beat-up couch)  So while I wait for my guardian angel to find a safer way out of this town, I guess I have some time to go over the misses of Magnificent Seven.

The Misses
At times, the action can be hard to see, primarily in the climax.  There’s a complex plan formed to ambush Bartholomew Bogue and his henchmen and, because some of the Magnificent Seven members slightly resemble one another, it gets a bit hard to tell who’s who when they’re all bloodied with dirt-caked faces.
I’ve never been a fan of Westerns (the genre just have never been compelling to me) and this movie certainly didn’t change my mind.  As fun as this movie is, it’s pretty forgettable a few days after you’ve seen it.  Even though the characters have great chemistry, the majority of them are pretty two-dimensional with the exception of Ethan Hawke’s character.  Otherwise, as an afternoon flick, it’s serviceable nonetheless.

(Enter WHITE SUIT, a tall and lean man in a white suit with a white hat covering his face and large ashen wings)
WHITE SUIT: Hello, Catholic Girl Bloggin’.
ME: (Gasps) What the?  How did you find me?
WHITE SUIT: I have your guardian angel surrounded just outside.  It probably isn’t wise for you to hide in a place known as “conveniently-empty house”.
ME: What, is there is neon-colored sign hanging outside?
WHITE SUIT: See for yourself.
ME: (Looks out window and sees neon-lit sign that reads, “CONVENIENTLY-EMPTY HOUSE“)  Well, that does not help me at all.  (Backs away from WHITE SUIT)
WHITE SUIT: Oh, there’s nothing to worry about, my dear.  I actually come to help you.
ME: Yeah, you fallen angels are about as helpful as a brick to the face.
WHITE SUIT: Last time I checked, you currently have 1,666 likes on the blog’s FB page.
ME: And of course it just had to include 666.
WHITE SUIT: I have some tips and tricks to make that number skyrocket.  I can help you to propel your blog to instant fame…
ME: Oh, no, I’m not making any blood pacts!
WHITE SUIT: Don’t worry, I don’t require blood pacts.
ME: (Whips out angelic katana) Uh huh, sure you don’t….(holds it up between my eyes) 
WHITE SUIT: (sinister chuckle) I am simply here to make you an offer you can’t refuse.
ME: Bwahahahaha!
WHITE SUIT: (Gives quizzical look)
ME: Are you seriously trying to intimidate me by quoting the Godfather?  Dude, my family and I watch that at least once a year!  (Goes on a tangent) Some years we watch just the first film and the whole trilogy during other years, including the crummy third film…
WHITE SUIT: (whips out a sword)
ME: (Swallows) You do realize that you fallen angels can’t physically hurt us humans, right?
WHITE SUIT: (Shrugs)  But we can frighten and intimidate.  (Sinister grin) Submit or suffer. What’ll it be, CGB?
ME: (Grips tightly to the katana) A Christian I am and a Christian I shall remain.
WHITE SUIT: (Raises eyebrow) Very well, it’s your torment.  (Charges at me)
ME: (Holds up katana, bracing for impact) (Looks down and sees Mother Teresa medal around my neck) Hey, jerkface!  (Talks deep breath) Mother Teresa!
WHITE SUIT: (Sword flings out of his hand) (collapses to the ground)  Argh!  The one in white!
ME: (Begins to approach) Saint Gemma Galgani!
WHITE SUIT: (Writhes in pain) Ahhhhh!  The one in black!
ME: (Smiles with confidence) Blessed Imelda Lambertini, Blessed Chiara Badano!
WHITE SUIT: (Curls up in fetal position) The holy girls!
ME: (Begins to approach) Saint Jose Sanchez del Rio!
WHITE SUIT: (Rocks back and forth) (Snarls with flaming eyes) How DARE you invoke the boy martyr!
ME: (Raises katana) Pope John Paul II!
WHITE SUIT: (Thrashes wildly on the floor) (Scratches his own face with his claws)  NO!  The one who ruined our plans!
ME: Saint Michael, Saint Monica, Padre Pio, MOTHER MARY!  (Plunges the katana into his chest)
WHITE SUIT: (Tries to grab me with his claws)
GUARDIAN ANGEL: CGB, duck!
ME: (Takes cover by a table)
GUARDIAN ANGEL: (finishes off WHITE SUIT with his own katanas)  (A lone white hat is all that remains)
ME: Is he gone?
GUARDIAN ANGEL: For the time being, yes.  (Pulls katanas in his sheaths) I’m glad you invoked the names of saints instead of taking him on with your own strength.
ME: (Looks at Mother Teresa medal) I don’t remember wearing this earlier.
GUARDIAN ANGEL: (Smirks lovingly) I figured she’d be the best person to give you courage. (Looks around dishelved house) So any closing thoughts on the Magnificent Seven before we take off?
ME: Well…

The Magnificent Seven is a fun and engaging popcorn flick.  Given that the Western genre itself can be a hit or miss (with more misses than hits), the Magnificent Seven is definitely one of the few gems the genre has to offer.  Although it is, sadly, easy to forget about after a few days, for the time you’re watching it you’ll have a pretty good time.  Denzel Washington and Chris Pratt are a selling point, but they allow others to share in the star-studded spotlight, which is a commendable feat.  A cast with believable and likable chemistry, some impressive set pieces and a self-awareness that keeps it from becoming needly dark and grim makes the Magnificent Seven a modern Western worth checking out.

GUARDIAN ANGEL: (Face becomes stern as his wings raise)
ME: What’s wrong?
GUARDIAN ANGEL: I’m going to have to knock you out.
ME: Why?
GUARDIAN ANGEL: Something worse than White Suit is headed this way.  (Wraps his wings around me, enveloping me)
ME: (Startled) What are you–
GUARDIAN ANGEL: Don’t worry, this is like being wrapped in a glow-in-the-dark blanket.
ME: (Begins to feel sleepy) (Goes under as the earth shakes beneath my feet.

(Cut to black)

(Enter MsOWrites)
MsOWrites: CGB?  CGB, can you hear me?
ME: (feels icy water splash on my face) (jumps awake) MsOWrites?!  Hey, where are we? (Looks around to see that we are on a beach)
MsOWrites: Listen, Catholic bloggers are in trouble again, so we’re all seeking refuge at Miss Peregrine’s?
ME: That school for peculiar kids?
MsOWrites: There’s a new world coming, and it’s just around the bend.
ME: Oh, boy…

(Fade to black)

Saint Jose Sanchez del Rio, pray for us.

CGB Collaboration Review of Kubo and the Two Strings With Patheos Blogger Monique Ocampo

If you must blink, do it now, because this is my collaboration review of Kubo and the Two Strings guest-starring Patheos blogger Monique Ocampo/MsOWrites!

KUBO-AND-THE-TWO-STRINGS-1-1200x675

Kubo is a young boy who lives with his sometimes-catatonic mother in a cave by the sea. Every day he walks down to the village and entertains the villagers by telling stories using origami that comes to life when he plays his shamisen (a Japanese three-stringed instrument).  There is a catch to Kubo’s existence: He must never ever stay out after dark. He soon figures out the reason when he stays out past dark and his evil spirit Aunts come to take him to his “grandfather” the Moon King, who intends to take Kubo’s remaining eye.  With the help of a monkey and a beetle, Kubo must find his deceased father’s armor and defeat the Moon King.
This is basically Pan’s Labyrinth for kids…and I LOVE it!  I’m not alone; my good friend Monique Ocampo, who you might know as MsOWrites from the Suicide Squad review. Don’t worry, we’re not gonna get kidnapped by Amanda Waller again.  As in our Batman v. Superman review, my points will be in blue and MsOWrites’ points will be in purple.

CGB Hits
I absolutely adore how imaginative this film is!  Like the titular character, the world we are introduced to is brimming with creativity.  I have always had a soft spot for Asian culture, so I appreciate that the story takes place in ancient Japan.
The first ten minutes has the best use of “show-don’t-tell” that I’ve seen in a long time.  Yes, there is some opening narration from Kubo himself, but his dialogue is not an exposition spiel; rather the visuals are allowed to do all the talking.  Any time the movie does resort to expositional dialogue, it is kept brief.  Speaking of the visuals, the animation is–holy cow–just breathtaking!  I turned to the friend who accompanied me and said, “Dude, that looks like real water!”  There’s an impressive painting-come-to-life feel with the color palatte and the design of the locations that make the film a beauty to behold.
The story itself is truly inspired!  Granted, the “adventures-of-a-half human-half celestial-child” story has been done before, but having him be a gifted storyteller who can bring origami to life with a musical instrument is quite an impressive twist.  The most admirable quality of the film are the morals.  I really like how Monkey tells Kubo, “Your magic is growing stronger.  You need to learn control.  But when we grow stronger the world grows more dangerous.”  Trust me when I say that her statement holds a lot of truth.
Earlier this year, I reviewed the Jungle Book, in which I pointed out how the film reminded me of something a friend said to me, “Let the angels and the saints deal with the devil.  They know what they’re doing.”  Kubo and the Two Strings also brought those words to mind!   Similarly to how our guardian angels tackle the evil one when he tries to mess with us, any time the hawkish evil spirit aunts come to harrass Kubo, Monkey and Beetle are there to fight them off while Kubo either accomplishes a task or seeks refuge.   It is with their help that Kubo becomes strong enough and fully-equipped to finally take on the Moon King himself.  Also, the climactic confrontation between Kubo and Moon King does come with an Eden-style temptation.  Basically it’s the “join me and you will become like gods” thing, much like how the old serpent told Eve that if she ate the apple, she’d become like God.   Between this and the Jungle Book, I’m pleasantly surprised to see that kids films come with an interest in the mysterious spiritual world.

MsOWrites Hits
It’s so refreshing to find a movie for general audiences that has a completely original premise.  My brother and I were obsessed with Japanese culture since we were kids and we were both looking forward to seeing this movie.  It lived up to the expectations I had and then blew me out of the water.
The animation is stunning, the characters are all enjoyable, and the writing is a breath of fresh air amongst the remakes and reboots out there.  The movie does not play things safe and yet I would totally recommend this movie to basically everyone.
The central themes of this movie are about the importance of family and the power of a good story. Kubo goes on a journey to finish what his father started: to find the armor that will help him defeat the Moon King. Monkey, Beetle, and Little Hanzo all made for excellent travelling companions.
The Sisters were intimidating, frightening villains as well.  I also love all the action sequences because there was a variety of them. The townsfolk play a great role as supporting characters who do more than just act as bystanders.  I love that they accept Kubo’s gift and don’t treat him like an outsider like other movies would.

CGB Misses
The friend who came with me to see this movie had some questions about Kubo’s scary aunts.  “If his grandfather is the Moon King, then are his aunts supposed to be stars or something?”  This is just one of the film’s unanswered questions.
Is it just me or is the danger Kubo faces at the hands of his tyrannical grandfather lacking some weight?  Let me explain: So essentially, if Kubo is caught by the Moon King and the hawk-women, then they will take his remaining eye…and then what?  Are they gonna just leave him blinded on earth?  Is he going to be made into a freaky spirit person like them?   Also, other than being the product of his mother’s disobedience against the Moon King, why is the Moon King threatened by Kubo’s existence?   Does the Moon King believe that Kubo being half-human, half-celestial mean that he [Kubo] will try to overthrow him?  Now, to be fair, in their final confrontation, the Moon King does offer to take Kubo with him and make him an infinite being, but still, I think that if the threat had been written as “the Moon King’s gonna snatch Kubo’s other eye and enslave him,” or something like that, it would’ve helped.
Speaking of the Moon King, here’s my issue: I totally understand why he is a threat to Kubo, but the movie doesn’t make him seem like a threat to anyone else.  The Moon King doesn’t seem to be feared by anyone else in the movie’s universe.  In Harry Potter, Voldemort was a threatening presence regardless of whether or not Harry was around; it just so happened that he had his sights set on The Boy Who Lived and anyone associated with him.  Here, though, it would have helped to see the Moon King burn down a village or require insane sacrifices or something; anything to raise the stakes of his existence.

MsOWrites Misses
While I will say that all the actors did a great job in this movie, I wish that George Takei had more than just a cameo role. I also think that this movie could’ve been even better with Asian actors in the main roles. Matthew McConaughey’s acting is uneven, albeit has its own interesting brand of charm.

Elephant in the Room
Right before we did this collab, one of my Facebook friends sent me an article from a well­regarded Catholic news source that dismissed this movie and said that it promoted “neo­Pagan values.” As somebody who grew up watching Charmed, reads Harry Potter, and still watches Buffy, I think that the themes in this movie are just as Catholic as any Bible­-based movie.  For one thing, the central theme of this movie is the importance of family.  While the main villains are Kubo’s grandfather and aunts, it’s reminiscent of Luke 12:53 “They will be divided, father against son and son against father, mother against daughter and daughter against mother, mother-­in-­law against daughter-­in-­law and daughter-­in-­law against mother-­in-­law.” The Moon King and his daughters are arrogant because they fail to comprehend things such as compassion and selfless love. Without going into spoiler territory, the ending of this movie shows justice and mercy rendered unto the Moon King.
Yes, I did see the article about Kubo promoting the occult and I will tell you that I didn’t see a single ouija board, tarot card, voodoo doll or anything occult-like in this entire movie.  In fact, the villains were reminiscent of demons while Monkey and Beetle were basically Kubo’s guardian angels.  If anything, the story borrows heavily from Greek mythology with hints of Shintoism.  For the record, Shinto is a Japanese religion and given that the story does take place in ancient Japan,  it only makes sense to borrow influence from a Japanese religion.  So fear not, guys and gals, Kubo and the Two Strings is NOT pro-occult propoganda.  Frankly, I don’t think the devil really cares about stop-motion animation and the film’s pro-family message would probably have him tripping over himself as he tries to flee.

Overall, Kubo and the Two Strings is a gorgeously-animated and highly imaginative story that, much like the live-action Jungle Book film, has a lot to say about the spiritual realm without being overt about it.  It’s one of those films that encourages children to create things and use their imaginations.  Kubo and the Two Strings is a well-crafted film that respects the intelligence of children while giving adults a thing or two to think about.

Venerable Takayama Ukon and Saint Paul Miki, pray for us.

CGB Collaboration Review of Captain America: Civil War with Pro-Life Activist Clinton Wilcox of the Life Training Institute

Captain America v. Iron Man…which side shall you choose?

This is my collaboration review of Captain America: Civil War!

Reveal-Captain-America-Civil-War-4K-Wallpaper (2)

After a mission in Lagos, Nigeria results in a slew of collateral damage, the Avengers find themselves facing the possibility of being controlled by a UN-appointed governing body.  When Captain America’s childhood friend Bucky Barnes (who [SPOILER] was the Winter Soldier in Cap’s last adventure) is framed as a suspect of an attack on the United Nations, Cap chooses to stand by his friend and pays the price when the Avengers is divided over his decision.

This is the third collaboration here on Catholic Girl Bloggin’!  Today I will be joined by pro-life activist Clinton Wilcox.  His Hits and Misses will be in green and mine will be in pink.

CGB Hits
Going into this movie, I was truly scared that Captain America’s noble nature would be compromised in this installment.  After watching Winter Soldier with my friends, I couldn’t gushing about Captain America’s strong sense of morality.  That is when one of my friends, who I will call “M.P.” turned to me and said, “Let’s see how you feel after Civil War.” “Aww, don’t do that to me, M.P.!”
I am delighted to say that Cap comes out of this adventure with his principles intact.  This character is such an honorable warrior!  I love how he plants his feet firmly on the side of truth and never backs down when faced with fierce opposition.  Once he makes a decision on a moral issue (such as helping Bucky instead of condemning him), there is no swaying him from his convictions.  He remains the moral voice and emotional center all while never becoming a bland archetype.  I said it in my Winter Soldier review and I will say it again: Captain America is a hero you can believe in!  🙂

I was not expecting the Black Panther to be such a show-stealer.  I will admit that his costume is kind of terrifying mainly because the headpiece covers his whole face, as well as his incredible speed.  I would not want to be caught in a fight with this guy!  This makes him an invaluable addition to the Avengers team.
Spider Man is absolutely adorable!  I like how he’s a believable kid character; awkward without being annoying, fumbling and wise-cracking while being skilled in his Spidey abilities.  Also, this Star Wars fangirl would like to award Spidey twenty CGB brownie points for his AMAZING Empire Strikes Back reference!  😀
In my first collaboration review, which was of Batman v. Superman with Patheos blogger Monique Ocampo, one of my many grievances with that flick is how they completely botched the rivalry between the Caped Crusader and the Son of Krypton.  Here the ideological differences between Captain America and Iron Man are well-conveyed.   Yes, the movie does definitely lean heavily in Cap’s camp, but there is emphasis on Iron Man’s perspective on the situation they face.

Clinton’s Hits
Civil War really feels like two movies. It’s Captain America 3, in which they have to resolve the Bucky Barnes/Winter Soldier storyline. It’s also The Avengers 2, Part II, in which the Avengers now must deal with the aftermath of the battle with Ultron, as well as fallout from their earlier battles. Both parts of the movie may have benefited from being split into two films, but even given what they had to work with, the movie worked exceptionally well. The events of Captain America 3 were used as the catalyst for the events of Civil War.  Zemo is the main villain of the film (Crossbones makes an appearance in a fantastic battle scene, but is killed at the end of the scene).  His family was killed in the battle against Ultron and Zemo is out for revenge.  He is merely human, so he knows he can’t kill the Avengers because more powerful men than him have tried and failed, so he sets out to tear the Avengers apart.  He does so by framing Barnes for the murder of several delegates by bombing a UN meeting where a piece of legislation is going to be signed to keep the Avengers in check.  Zemo’s human, relatable backstory, mixed with his actually succeeding in tearing the Avengers apart makes him one of the best and most compelling villains in the Marvel Cinematic Universe (the best villains are the ones from the shows, but the villains in the movies tend to be cookiecutter supervillains). Zemo used his intellect instead of brute strength to beat the Avengers.
Civil War, even having so much to accomplish, was a fantastic movie. Most of the fight scenes were truly mind-blowing (and I don’t use that term loosely). I thought all of the CGI used was very realistic. I was fooled the entire time, and the movie didn’t feel like it was two and a half hours long, to me. Though there are many ways in which the movie deviated from the source material in the comics. It actually bears little resemblance to the comics. One of those is that in the comics, the war was over whether or not to reveal their identities to the world, as well as being accountable to the government. But in the MCU, most or all of the heroes’ identities are known, so this doesn’t play a role in the legislation the UN wants to ratify.

Clinton’s Misses
As I stated, the Avengers are dealing with the aftermath of their many battles. As such, the UN wants to put a reign on them. They want to specifically train the Avengers, and be in charge of where the Avengers go. Essentially, the Avengers will become a government-led team.  If there’s one thing I think could have been improved, I wish there would have been more debate and deliberation before passing the legislation. There was one scene in which the Avengers were hashing it  out, but the legislation was already going to be passed. They were simply deliberating on whether or not to comply.

CGB Misses
Like Clinton, I too had an issue with how the whole “government wants to control the Avengers” dilemma is not developed enough.  Granted, I’m glad that the focus was more on the budding rivalry between Captain America and Iron Man, but would have liked the politics of the Avengers issue to have been fleshed out more.
I personally didn’t care for Zemo as the villain.  I get that his dirty work is best done in the shadows, but I never felt frightened of him.   He just wasn’t as chilling as I had hoped.  Honestly, I feel that the divide between Cap and Iron Man was enough of a conflict on its own.

Clinton’s Verdict
I’ve now seen Captain America: Civil War twice, and I have to say the movie gets better the second time you watch.  There’s so much going on in this film that you’ll undoubtedly miss some things upon first viewing.  
Despite being quite different from the source material in the comics, and having to pack so much into the movie, Civil War was an incredibly well-written, well-done movie that will keep you on the edge of your seat and will excite you by its many excellent fight scenes (especially the Avengers battle in the airport). I’ve seen it both times, and neither time did it ever feel like a two and a half hour movie. This movie has made me even more excited for the upcoming Black Panther, Thor, and Infinity War movies.

CGB Verdict
Captain America: Civil War has a lot on its plate and for the most part, it succeeds in making all of its elements work.  The action is well-choreographed and easier to see this time (Age of Ultron and, to an extent, Winter Soldier had some issue with action-scene-clarity).  The story is properly structured and has complex aspects while still being entertaining.  Iron Man has definitely grown and matured as a character, while Captain America himself is an admirable example of heroic masculinity, a trait that is desperately needed in today’s confused society.

Saint Martin of Tours, pray for us.

CGB Collaboration Review of Batman v. Superman: Dawn of Justice (2016) with Guest-Reviewer Monique Ocampo

I once dated a guy who everyone warned me was, “off-putting, pretentious and simply no fun.” Wanting to give him the benefit of the doubt, I dated him anyway. “What could possibly go wrong?”
Yeah…about that.
If there’s one thing that this person and Batman v. Superman have in common, it’s that they both made me want to throw myself in front of a truck. What’s the moral of the story: If everyone warns you that something is going to be bad, they’re probably right.

This is my CGB collaboration review of Batman v. Superman: Dawn of Justice! 

Batman-Vs-Superman

Yes, you read that correctly.  This is the first ever CGB collaboration review!  I will be reviewing Batman v. Superman with my friend Monique Ocampo, a blogger from Patheos.  Why?  Because friends don’t let friends endure Batman v. Superman alone. 
I downright hate this movie while Monique was mostly disappointed by it.  Instead of the usual “Hits and Misses” system, Monique and I decided it would be a good idea to break down this endurance test–er, I mean–movie into three parts: The good, the bad and the ugly.  Monique’s points are in purple while mine shall be in blue. 

I’ve been a fan of superheroes since I was a kid. I always held superheroes up to a certain standard. While I allow certain levels of cynicism and angst when it comes to Batman, I don’t particularly like it when it applies to Superman. Given how Man of Steel and The Dark Knight Rises left a bad taste in my mouth, I went into Batman vs Superman: Dawn of Justice with low expectations. Even though it was not as bad as I thought it would be, I still find it to be an overall disappointment in terms of story and characterization. Thomas Aquinas defines evil as having a lack of good, so since I didn’t find Dawn of Justice a complete letdown, I want to go over the good, the bad and the ugly of this movie.

Prior to the film’s release, I readily defended BvS to my friends who had already decided that they hated the idea. The trailer actually looked promising to me. Rivalry stories are one of my favorite narratives, so I couldn’t wait to be able to explore the ideological divide between the virtuous Last Son of Krypton and the morally-gray Bat of Gotham. Jesse Eisenberg’s Lex Luthor had the potential to either be a comedic (which, if well-written, can be very enjoyable to watch) or gradually evolve from a harmless weirdo to a sinister foe. Those two hopes alone is what got me to go to an 11:30 am screening of Batman v. Superman.
One hot dog, a bag of Welch’s fruit snacks and a Coke slushie later (to fight off the boredom), I was so disengaged that I turned to my friend and asked, “Am I still alive and watching a movie or have I died and am currently waiting for God’s final verdict?”

The Good
Ben Affleck brings a seasoned, burnt-out Bruce Wayne/Batman. I actually did like how when the robber points a gun at Martha Wayne, the gun catches her pearls. That was a pretty intense camera shot. Putting the destruction of Metropolis through Bruce Wayne’s perspective was an excellent narrative choice. It gave me hope that Bruce/Batman would be the film’s emotional center and the one to guide us through the story. Sadly, that is not the case.
Jeremy Irons and Ben Affleck do have pretty good chemistry. I love Jeremy Irons’ sardonic humor delivered in his epic voice. Any time Affleck and Irons were on screen, I was able to care about what was happening.
Gal Gadot definitely looks the part of Diana Prince/Wonder Woman. While the writing of the Wonder Woman role is haphazard, Ms. Gadot does carry her character as a mysterious woman who belongs to a higher social standing quite well.

I’ll give credit where credit is due. Most of the female characters in this movie are actually the most interesting characters. Gal Godot’s version of Wonder Woman plays off like a Bond Girl at first, charming Bruce Wayne while trying to get something back from Alexander Luthor. When she finally made her appearance as Wonder Woman, the people in the theatre and I applauded. She fit in naturally, working with Batman and Superman to take down the real villain of the movie, Doomsday.
I also liked Alexander’s right hand woman, Mercy, played by Tao Okamoto. She’s a good variation of Luthor’s sidekick Tess Mercer and it’s awesome to see Asians play a prominent role in mainstream cinema. I also liked Holly Hunter as Senator Finch. To me, she represented the audience who wanted to know where they stood with this darker version of Superman who is willing to kill and doesn’t take into account the collateral damage that results from his actions.
I agree with Amy [CGB] about Jeremy Irons’ performance as Alfred and the how Ben Affleck’s perspective of the Battle of Metropolis actually brought something unique to the story. And Ben Affleck was not as bad a Batman as I thought he would be, but I still would’ve chosen another actor for the role.

The Bad
The least developed character, aside from Superman, is Lois Lane. Like in Man of Steel, she doesn’t do much in this movie outside of her designated role as Superman’s girlfriend. I also didn’t like the characterization of the Kents in this movie, especially Martha Kent who tells Superman that he doesn’t owe the world anything. I get that the “Great power, great responsibility” trope has probably been overused, but there needs to be some way to distinguish the good guys from the bad guys. Batman’s use of firearms felt out of character, given that one of Batman’s central character points is that he never uses guns.
But by far, my least favorite part of the movie is Alexander Luthor, Jr. I refuse to call him Lex Luthor because he doesn’t embody any of the qualities of previous Lex Luthors such as the ones from Smallville or Superman The Animated Series. Jesse Eisenberg plays him more like a mad scientist and a straw atheist and plays the character of Alexander Luthor in a completely over the top manner instead of the more subtle but sinister characterization of the real Lex Luthor.

Jesse Eisenberg’s overacting combined with painfully obvious poor direction makes his performance cringe-worthy at best and insufferable at worst. If this had been a Batman v. Joker origin story of how the Joker became, well, the Joker, then I would have had no issue with Eisenberg, but we already had a better Joker through the late Heath Ledger’s performance in The Dark Knight.
At some point, there’s a scene where Bruce/Batman has a dream where he is overcome and taken into custody by Superman Nazis (they have Nazi-esque armbands that have the Superman symbol). We see a chained Bruce looking up and seeing Superman, who approaches him and rips off his [Batman’s] mask. This scene was the straw that broke the camel’s back and prompted me to give up on the film entirely.
What should have been a powerful scene ends up being a weird sequence with plenty of style and no substance. Typically, when a main protagonist has a nightmare about being captured by another character, the implication is that the protagonist is haunted by said character. This usually occurs in a story about rivals or if one character is being pursued by another. This scene upset me because Batman and Superman’s “rivalry” is completely botched. There is no exploration of their differences. Batman and Superman are two angst-filled, bruiting dudes whose only difference is that one wears all black and the other wears a red and blue. Because of this, the dream sequence has no impact and is boring action scene.
I don’t know if anyone else caught this, but Doomsday’s lighting effects seemed seizure inducing to me. I don’t have eye problems, but his lighting effects made my eyes water. There are quite a few camera choices in the third act that made me concerned that someone in my theater was going to have a seizure. My last complaint is that this movie has more endings than Return of the King! The epilogue goes on for an eternity.

The Ugly
While the movie teased at the future Justice League members, the fact that Wonder Woman didn’t get much of a role in the overall movie and the implication that the Justice League is created from the ashes of Superman’s death feels very pandering. Too little, too late, DC.
The other thing I hated most about this movie is the underlying anti-religious themes. The overblowing parallels between Superman and Christ are still prominent in this film, particularly the fact that Superman died saving metropolis and it’s implied at the end of the movie that he will rise from the dead.
Alexander plays the role of the Straw Atheist, determined to defame Superman at any cost. Say what you will about Maxwell Lord in Supergirl, but his motivations are at least understandable. The entire Batman/Superman conflict hangs on the audience believing that Batman, the world’s greatest detective, could fall for Alexander’s clearly over-the-top schemes. I’m not buying it!

I have no flippin’ idea what this movie was about. Yes, things do happen, but there’s no central plot. I guess one could make the argument that the filmmakers were attempting to connect the plethora of storylines, but if that is the case, then their efforts backfired. Instead of interconnecting smoothly, the plot points feel jumbled and convoluted.
There’s a scene that shows a portrait of Saint Michael defeating Lucifer that has been turned upside down so that it looks like Michael is the one who is falling. If you’re a fan of Saint Michael, this might not sit well with you.
As stated before, I hated Eisenberg’s version of Lex because he makes real-life atheists look bad. I have friends who are atheists and I have never once heard any of them say, “Devils don’t come from Hell beneath us; they come from the sky.” Seriously, who talks like that?

Batman v. Superman’s frenetic editing, zero focus and a grossly-neglected rivalry between the titular characters tried my patience and led me to the brink of going back to the snack bar to further drown my sorrows.

Saint Michael the Archangel, defend us in battle and pray for us.

Monique Ocampo is a freelance writer currently blogging for Patheos. She also contributes Bible study meditations for Heart of Mary Women’s Fellowship. When she’s not writing, she loves singing showtunes and fangirling over fanged faces, superheroes, and Time Lords.  You can check out Monique’s awesome works at http://www.patheos.com/blogs/moniqueocampowrites/ or on her Facebook page: https://www.facebook.com/MoniqueOcampoWrites/info/?tab=page_info

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