CGB Review of Logan (2017)

Well, someone REALLY liked “The Last of Us” and decided to make a movie out of it, but starring Wolverine…

…And I’m okay with that.

This is my review of Logan!
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The year is 2029.  James Howlett, also known as Logan–and also known as Wolverine–is a weary, beaten-down, old mutant who is just barely getting by with booze in hand and a desire for the end of his pain.  He is a limo driver by day and caring for Professor X by night.  Logan’s miserable existence is chaotically interrupted when a young mutant named Laura Kinney (Dafne Keen) shows up on his doorstep with a ruthless agency on the hunt for her and others like her.  With one mutant Caliban in captivity and Charles Xavier being senile and fading, it’s ultimately up to Logan to get Laura to a shelter where she will be kept company by (quite possibly) the next generation of mutants.

The Hits
The action in this film is quite spectacular to behold.  Gripping, fast-paced and relentlessly violent, there is an underlining catharsis to each stab and shot fired.  You can feel the excruciating pain that runs through Wolverine’s hands every time he unleashes his steel claws.   The oppression of violence from the antagonists presses you down and forces you to hold your breath as you pray for the start of a new scene.
So this is Hugh Jackman’s final time playing the Wolverine and, by golly, he gives this performance his all.  Logan is a broken man; Weakened yet never pitiful, struck down but not destroyed, just the act of living takes every ounce of strength that he can muster.  He has seen it all, heard it all and lived through every conceivable disaster you can think of; nothing is new to him and nothing more can further damage an already irreparable man.  I really appreciate how he never gets too sappy or sentimental.  His care for Laura and Professor X is displayed through his actions, never his attitude or words.  He’s like a father who isn’t very outwardly affectionate, but shows his kids he cares for them just by working hard for them.  In the same vein as Masey McClain’s performance in “I’m Not Ashamed,” Hugh Jackman’s portrayal of Wolverine is the glue that holds this movie together, the mythological Atlas who holds the weight of the narrative on his
One review I read described this film as “unexpectedly moving” and quite frankly, I concur.  The heart of this story are Logan’s withering relationships; his fragmented rapport with Professor X, his tension with Caliban and his resistance to empathy for Laura are fascinating and strangely moving to watch.  In addition, Patrick Stewart gives a very powerful monologue along with an endearing, while Dafne Keen’s Laura is a force to be reckoned with.  She’s essentially a young, female version of Logan, but is surprisingly both hardened and yet hopeful all at the same time.  She is a child soldier who somehow maintains a believable amount of innocence that allows her to experience the world around her with fresh eyes.

The Misses
Much like the first Hunger Games movie, this movie does involve violence against children and violence being committed by children, in particular by Laura herself.  This can be very unnerving to watch, especially if you have and/or work with children.  Even the fact that they are mutant children who are more than capable of protecting themselves doesn’t make the violence against them or the violence they are engaging in any less disturbing.
A few days ago, one of the friends I saw this movie with texted me to ask, “…are you okay with excessive blood and gore?  From what I’ve heard, this [Logan] is supposed to be more graphic than Deadpool?”  To which I responded with, “M.P., my favorite movie of all time is Pan’s Labyrinth and that movie features a guy [Captain Vidal] getting stabbed in the shoulder, chest and THEN having his cheek sliced from the inside!  I’ll be fine.”  As my friend M.P. said, this movie has some seriously excessive blood and gore.  Viewers who are squeamish and sensitive to gore might want to think twice before buying a ticket.

Overall Logan turned out to be much better than I expected.  In fact, the more I think about this movie, the more compelling it becomes and I almost want to see it again.  Logan can come off as nihilistic, but never goes into full-blown “there’s no point to this” despair.  This is a dreary, pragmatic film held together by one shattered man and his fragmented relationships, a grounded comic book adaptation with grit and style that is bound to stay with you long after the credits roll.  Whether you are a fan of the X-Men franchise or an outsider looking in, the multifaceted character of James “Logan” Howlett, aka the Wolverine, goes out with both a blood-soaked bang and a curdling whimper.

Blessed Laura Vicuna, pray for us.

CGB Review of The Shallows (2016)

So I happen to be a subscriber of YouTube’s Markiplier, who has repeatedly stated how much he hates the ocean.
After watching this flick, I now see why.

This is my review of The Shallows!

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To cope with the death of her mother, med student Nancy Adams takes a trip to a secluded beach to catch some waves, but when she is attacked by a shark and ends up stranded on a large rock, she must preserve in courage and strength in order to escape the shark and return to shore in one piece.

The Hits
Between this and Age of Adaline, it is clear that Blake Lively is more than capable of carrying a film on her own.  There is an everywoman quality to her that make her relatable, which hits home the idea that this scenario could happen to anyone.  Nancy’s resourceful nature and survival skills make her a worthy heroine to follow and give her plenty of agency.  Also, and this is to any fans of Saint Christopher, if you look closely, you’ll notice that Nancy is wearing a Saint Christopher medal.  🙂
The camera work is pretty good.  Not spectacular, but there are some beautiful shots of the ocean and the entire landscape.  Also, the swimming sequences and other scenes that call for Nancy to flee from the shark are nicely filmed to where you can actually make out what is happening.  I particularly like the seagull that hangs around with Nancy during her ordeal.  However, as an animal lover, I did find myself worrying about the seagull’s survival.  This Nostalgia Critic clip best demonstrates my feelings about the seagull: https://youtu.be/YOcDhyhZO5g?list=PLxMCAq3dOW6BTGLQCwH__KdU92O3Q5xDT
I really like that Nancy has a personal history with the island, how it is the same place where her late mother discovered she was pregnant with her [Nancy].  It gives the island a symbolic significance as the place she was conceived and the same place where her life could be brought to an end.

The Misses
While the movie does do an overall good job at suspension of disbelief, there are a few times where the main character makes one or two decisions that are hard to the audience to buy.
The scene where Nancy has to sterilize and patch up the deep wound in her leg is difficult to watch.  If you are squeamish, I recommend either getting a snack during the scene or just closing your eyes.
Okay, so there is an elephant in the room that must be addressed and this is kind of a SPOILER
In the middle of the film, Nancy sees a drunk man on the shore and tries to enlist his help, but when he goes into the water to steal her surfboard, he is mauled by the shark, resulting in him being (quite literally) torn in half.  We get one close-up shot of his body and then it just cuts to black.  We never see his body swept up by the waves or even his body lying on the sand after that.  The only reason this bugs me is because the story takes place over the course of a day and a half, so if his body wasn’t taken by the waves, then it should still be there when Nancy does make it off the tiny island she has been confined to.

The Shallows is a surprisingly intriguing thriller, held together by a committed performance from Blake Lively, clever editing and a suspenseful plot.  If you’re looking for a flick that keeps you on the edge of the seat till the very end, then The Shallows just might be the good time you’re looking for.

Saint Christopher, pray for us.